Arriving less than a month after the release of Ethan Coen and Tricia Cooke’s queer crime-comedy Drive-Away Dolls, Love Lies Bleeding, from British filmmaker Rose Glass, signals…
Saint Maud is another A24 exercise in elevated, modulated horror but is fairly absent of anything beyond empty, artful pretense. It’s been a long journey to…
Our first dispatch from the 2019 BFI London Film Festival takes a look at an eclectic array of films both major and minor on this…