One of the quirks of Lisa Jorgenson (Reese Witherspoon) in James L. Brooks’ 2010 film How Do You Know is a tendency to speak in…
Leave it to Gus Van Sant to find the homoeroticism in the Tony Kiritsis story. The man who wanted five million dollars and an apology…
The Old Man and His Car There is a good deal of sentimental value, both real and inflated, in Michael Kam’s The Old Man and…
Pedro Lemebel, the writer who chronicled Chilean queer life throughout the fall of the Pinochet regime, the rise of democracy, and the AIDS epidemic, proclaimed…
Having propelled himself to cinephilic fame with the mesmerizing Kaili Blues (2015) and, more recently, an audaciously mind-bending interpretation of dreams in 2018’s Long Day’s…
When you’re tucked into a cozy nook and crack open a whodunit, you know what to expect. The dead body in a locked room. The…
A life’s linearity is only a biproduct of meticulously constructed narrative. In hindsight, things seem straightforward: clinging to your older sister’s pantlegs, you survive a…
There’s an overly edited, scored, and produced version of Sam Abbas’ Europe’s New Faces that would have taken the ongoing awards season by storm. Its…
Poverty and opulence, the pastoral and the high-tech, war and peace, childhood and adulthood. Opposite ends of a variety of spectrums meet, and sometimes clash,…
The Viennale and the Austrian Film Museum’s joint Jean Epstein retrospective makes a simple case: with Epstein, the sea edits. It splices, stretches, and scours…
Polish director Agnieszka Holland’s last film, 2023’s Green Border, was a fact-based drama about migrants who were lured to Belarus by false promises of asylum,…
November Reviews Week of November 2 Streaming Scene Frankenstein — Guillermo del Toro November 2, 2025 by Ethan J. Rosenberg Read Review Spotlight Die My…
Of film history’s lost White Whales — the complete Magnificent Ambersons, for example, or The Day the Clown Cried — the eventual release of The…
Michael Showalter, in the past decade, has parlayed his success as a comedic writer and performer into a career as a writer-director of audience-pleasing dramedies…
Married directorial pair Hélène Cattet and Bruno Forzani have consistently risked being hit by the type of criticism that considers “postmodernism” a dirty word. Many…
Now in its 36th edition, the Singapore International Film Festival (SGIFF) has taken on a most prominent role within the country’s cultural landscape, drawing younger…
Over the weekend of November 14-16, I viewed the entirety of Twin Peaks: The Return, screened thanks to the great efforts of the Philadelphia Film…
It’s not uncommon for an international film to obtain a different name in English-speaking markets, and that ends up being the case with Little Trouble…
A former editor-in-chief of mine once told me to write lightly about heavy matters, and heavily about light ones — an adage that easily applies…
Julia Jackman’s sophomore feature 100 Nights of Hero, adapted from Isabel Greenberg’s graphic novel of the same name, has the shape and tone of a…
Italian filmmaker Paolo Sorrentino is back on terra firma with La Grazia, his second film to premiere in less than 18 months, following on the heels…