Beyond a brief cameo from Lin Shaye as Elise, the soft reset for the Insidious franchise removes the Lambert family from the proceedings, taps yet…
“An ode to cinema” — an audacious claim with which to open one’s feature, but audacity courses through the work of Mosotho filmmaker Lemohang Jeremiah…
It’s no secret that Hollywood is currently trying to crack open the secret to Gen Z. What movies get them into a theater? What tests…
In their book The British B Film, writers Steve Chibnall and Brian McFarlane describe Bond of Fear, an underseen and worthwhile low-budget crime curio from…
The advent of digital cinematography has been both a blessing and a curse in the history of cinema. For one, it’s made film productions far…
History has always been a dumping ground for those in power. It’s littered with, as the affectless narrator in Chris Marker’s 1983 cine-travelogue Sans Soleil…
“As Rotterdam burns, they study Sanskrit verb forms,” is how one iteration of the famous proverb goes. This version of the maxim targets scholars with…
It makes sense that an author like Enid Blyton might enjoy a resurgence in popularity in times like these. War, political turmoil, the looming threat…
On August 11, 1994, major league baseball stopped. The scores on the big beaming boards standing above the outfield wall remained blank, robbed of their…
Shatara Michelle Ford is one of the unsung forces in American Independent cinema. Their debut feature, Test Pattern, was a quiet yet seismic announcement of…
It feels like many horror films in recent years begin and end in the pitch meeting. A kooky premise is introduced, funding is secured, and…
45 years after an environmental catastrophe has emptied the sea around Rio de Janeiro, the city’s main entertainment is a televised series of lethal parkour…
A recurring image from Shatara Michelle Ford’s Dreams in Nightmares calls to mind John Ford. In The Searchers, the darkness that frames the bookend shots…
Documentarian Poh Si Teng’s directorial debut American Doctor follows three American physicians who traveled to Gaza to practice medicine at Nasser Hospital at various points…
Ambition can be slippery in the hands of the stoner. With her debut feature, The Wrong Girls, Dylan Meyer sets her aspirations at the height…
Polish director Agnieszka Holland’s last film, 2023’s Green Border, was a fact-based drama about migrants who were lured to Belarus by false promises of asylum,…
In this dispatch: You Don’t Belong…
Alex Cox loves to make movies. He doesn’t get to do that very often these days, but when he does, they’re more likely than not…
The late Adrienne Shelly’s posthumous 2007 release Waitress was always an odd choice for a musical adaptation, but 10 years after its Broadway debut —…
In this dispatch: Objet a, The House on…
Will Poulter’s course has been an unconventional one to follow. Breaking through in the UK when he was still a teen in the sketch show…