Ben Wheatley has done it all. From humble beginnings with killer indies like Down Terrace and Kill List to Hollywood mega-productions like Rebecca and The…
After it was reported that MUBI had received a $100 million investment from venture capitalists with ties to an Israeli defense tech firm in May…
“The working man is a sucker” — so reads the opening title card of Joel Alfonso Vargas’ debut feature, Mad Bills to Pay (or Destiny,…
In my day job as a college writing instructor, there is a lot of talk about “multi-modal composition.” This simply means that instead of remaining…
Josh Heap’s City Wide Fever is the best kind of micro-budget, DIY indie film, one that doesn’t attempt to hide its poverty of means but leans into…
Excepting the newly bicurious and the chronically polyamorous, most people will adore Erupcja for the wrong reasons. Pete Ohs’ sixth narrative feature has, on the…
“What are the stats on shark movies? Still just the one good one?” That’s a direct quote from perennial funnyman Paul F. Tompkins, made during…
In this dispatch: Leviticus, Kika, Strange…
Having decided myself to migrate from a Toronto suburb to Montreal in my young adulthood shortly after hearing Visions for the first time, I am…
In the new Apple TV original film Outcome, Keanu Reeves stars as Reef Hawk, a hugely successful actor emerging from a five-year hiatus that found…
Corpses are sliced open during an autopsy. Cult members devour fresh human organs before engaging in an orgy while still smeared with blood. A group…
Few people are immune to the power of a tale thrillingly told. So says Buffalo Bill Cody, narrator of Alessio Rigo de Righi and Matteo…
Liminal spaces are all the rage these days. You can’t scroll for five minutes on any given social media app without seeing an image or…
The most frustrating thing about Igor Bezinović’s Fiume o Morte! is how quickly the novelty of re-creation wears off. The sight of three soldiers staring…
“You sound cool talking out your ass,” Bruce (Anthony Oberbeck) quips to his best friend and roommate, Simon (newcomer Tristan Turner), a struggling filmmaker. In…
While easy to forget given its catastrophic success, fascism came into the world a mess. The writer and public intellectual Umberto Eco wrote in a…
In the age of virality, who will remember the snuff film? 1978’s Faces of Death, a documentary-style gorefest, is the stuff of dorm-room legend. “They…
Week of March 1 Week of March 8 Week of March 15 Week of March 22 Interviews Essays Festival Coverage Kicking the Canon
There are two — or if someone is feeling incredibly ambitious, 101 — films to review in Thierry Frémaux’s Lumière, Le Cinéma, a cine-documentary exclusively…
Kazuya Shiraishi’s Bushido is a fascinating clash of visual styles and familiar genre tropes rendered fresh via a strange, languid dramaturgy. Kakunoshin Yanagida (Tsuyoshi Kusanagi) is a…
Against the notion of cinematic auteurism, it has sometimes been thought enough to respond that, after all, cinema is a collaborative medium to which certain…