Initially undistributed and reportedly rejected by film festivals such as
Sundance and SXSW last year, prior to the acquisition courtesy of rookie distributor Obscured Releasing earlier this year, Elliot Tuttle’s Blue Film may come as a shock to most viewers — though depictions of sex in current cinema almost always seem to be a charged topic regardless of intention or the filmmaker attached to it. But it’s likely less shocking to hardcore fans of perversion cinema, given previous sights it...
Comments are closed.