The critical concept of intersectionality, like “wokeness” or “critical race theory,” has been evacuated of its actual meaning by bad-faith bloggers and the conservative commentariat.…
An opening shot of a bleeding, near-dead girl dragging herself across a tennis court in pitch darkness, only to be knocked out by a single…
In 1970, Robb Moss took a semester off from Berkeley and started wandering to wherever he could crash, first out to a friend’s farm in…
American independent filmmaker and cinematographer Rob Tregenza broke onto the scene with 1988’s Talking to Strangers, a somewhat Jarmuschian dramedy that was notable for being…
It’s a fair response for one to give less importance to mainstream directors when they downplay their themes or politics in interviews, for if the…
Mohanad Yaqubi’s Revolutionaries Never Die is the Palestinian filmmaker and archivist’s cinematic “answer” to the pioneering Lebanese journalist and filmmaker Jocelyne Saab’s invitation to collaborate,…
The main narrative engine, if there’s any to speak of, in Serra’s only other documentary, Afternoons of Solitude, was about trapping its subject in three…
In this excerpt: Donkey Princess…
In this dispatch: July Reviews, Interviews…
Something I learned over many years working in restaurants is that there are no cooks that work in them, no servers, no bartenders, no hosts…
Troubled souls trapped: the parameters of a typical Claire Denis narrative are rarely complex. Beau Travail’s French Foreign Legion soldiers were confined to their base…
Kent Jones has long been one of cinema’s greatest thinkers, so to simply refer to him as a director seems a gross oversimplification for what…
In an era of Hong Kong cinema often defined by masculine action films, Stanley Kwan’s filmography stands out. With films like Rouge, Center Stage, and…
Many of us can agree that 2026 has been a dark year, and the sights ahead only look dimmer. War, starvation, deportation, rising cost of…
Back when labels were willing to spend on them, music videos served as a legitimate pipeline for visual artists, places for them to cut their…
As InRO’s own Jake Tropila makes note of in his recent piece on the killer-shark-in-a-cave-movie The Devil’s Mouth, “shark movies have been seemingly omnipresent all year”;…
It’s a shame I had to see Kent Jones’ Willem Dafoe vehicle, Late Fame, on the Upper West Side at NYFF in mid-September. It was…
“There is a hole in the lake where the movies come from” is one of those incredible lines that Teenage Sex and Death at Camp…
The quaint and rustic settlement of Sangerhausen, in Germany’s Saxony-Anhalt, might have been an incidental choice of setting, but much of Julian Radlmaier’s quietly revelatory…
In this dispatch: Unholy Night…
While Hostel (2005) and Hostel: Part II (2007) are the immediate poster children for Eli Roth’s work as a horror director, his debut Cabin Fever…