The late Adrienne Shelly’s posthumous 2007 release Waitress was always an odd choice for a musical adaptation, but 10 years after its Broadway debut —…
In this dispatch: Objet a, The House on…
Will Poulter’s course has been an unconventional one to follow. Breaking through in the UK when he was still a teen in the sketch show…
Imagine operating on near-dying people every day in the most horrific conditions. Droves of broken bodies arriving at your hospital after mass bombings of civilian…
Cinema has a unique capacity for depicting time, as we all know. But this plasticity — turning “time” into a physical ribbon of pictures and…
Seeing the new KATSEYE documentary in August of 2026 is a lot like seeing a brand new feature from a recently deceased actor. Between filming…
In this dispatch: The Riverbank, Hanabi…
Schematically, one could divide Hong Sang-soo’s oeuvre into two sets of films: on the one hand, those where the structural play with narrative is upfront…
Who could forget that scene in Goodfellas where Ray Liotta’s character narrates what life is like in prison for “wiseguys”? As his cellmates slice garlic…
The decadent luxury and moral rot of extreme wealth; a location as isolated as it is idyllic; lithe young bodies glistening in sunlight; the churning…
Sometimes you just need to get a little stupid with it. That’s not an insult; it’s a label writer/director Dylan Meyer wears proudly on her…
A nasty, ruthlessly streamlined throwback to the sleepover staples of the Reagan administration, David Robert Mitchell’s The End of Oak Street (unofficially) brings the curtain…
Marketed as “a Green Day comedy,” Lee Kirk’s newest film, Nimrods, could more fittingly be described as specious or surprisingly inept. Or, it could be…
A few years ago while re-watching Jean-Luc Godard’s Histoire(s) du Cinéma, I was taken aback when 2a: Only Cinema ended with a durational shot of…
Flitting across genres from musical to beekeeping drama to heist movie to revenge thriller, yet rooted in the culture, ways of life, and eccentricities of…
A frontier western without any ontologically stable sense of indigeneity or the homestead, Pablo Aparo’s The Victors is a film that resists the easy binaries…
Like his previous feature, which opens with a 1988 Coca-Cola ad, Nicolaas Schmidt’s September Afternoon begins with another vintage commercial — or, at least, a…
Dedicating more attention to the practicalities and criminal underbelly of the farm-to-table honey industry than certainly any fiction film before it, Andrew Patterson’s The Rivals…
Relative to its paltry budget, 2001’s Super Troopers, the second film from American comedy troupe Broken Lizard (consisting of Jay Chandrasekhar, Kevin Heffernan, Steve Lemme,…
The critical concept of intersectionality, like “wokeness” or “critical race theory,” has been evacuated of its actual meaning by bad-faith bloggers and the conservative commentariat.…
In 1970, Robb Moss took a semester off from Berkeley and started wandering to wherever he could crash, first out to a friend’s farm in…