First Light Nearly five years ago, Filipino-Australian filmmaker James J. Robinson hit the headlines after breaking into his alma mater St Kevin’s College, Melbourne’s elite…
Maryam Touzani’s Calle Málaga won the Audience Award at the Venice Film Festival’s new Spotlight Section, and the film is accordingly an audience-pleaser. Following her…
Chronovisor Even when Jorge Luis Borges wrote screenplays, they weren’t necessarily “Borgesian” — not, that is, distilled into the particular pleasure of following one of…
Reflecting on the publication of his novel Box Hill: A Story of Low Self-Esteem, Adam Mars-Jones noted that he intended his darkly humorous narrative of…
Film adaptations of video games can be a dicey proposition. Part of the issue lies in the elements getting lost in translation: the inherently immersive…
Director Suzannah Herbert’s documentary Natchez, which counts Sam Pollard among its executive producers and won this year’s Documentary Competition at the Tribeca Film Festival, captures…
Three Austrian documentaries from the past two years turn their gaze to the racially marginalized of the small mountain country. The oldest of the three,…
José Asunción Silva hangs over A Poet like a specter, haunting its messy proceedings. It’s no mistake that Colombia’s most famous poet weighs so heavily.…
The life of the tortured artist: society doesn’t understand them, friends and family abandon them, their audience doesn’t appreciate their work. From the artist’s perspective,…
The score of Jan-Ole Gerster’s Islands is one of the first signals about its intended genre and reference points: with lush, orchestral strings overlaid by…
The unknowables that inform the maintenance and dissolution of familial relationships are, for Hylnur Pálmason, generative. Fittingly, then, his new film, The Love That Remains,…
A spiritual cousin to 2009’s financial crisis-set Drag Me to Hell, the new film Send Help announces the much anticipated return of Sam Raimi, horror…
Time is an amazing thing. It eludes us as we write, as we speak, read, and breathe, confounding us even more when things don’t follow…
Some day, our future will be someone else’s past. Arco, the titular co-protagonist of illustrator, comic book author, and short film director Ugo Bienvenu’s debut…
Most even casual moviegoers are probably already familiar with the Screenlife subgenre, but for those who aren’t hip to the terminology, it’s made up of…
In 2014, Helen MacDonald released a memoir detailing the death of their beloved father, noted photojournalist Alisdair MacDonald, and their adoption of a goshawk as…
Joe Carnahan’s career has been relatively erratic since his still very well-regarded breakout feature Narc from 2002. Since, he’s mostly churned out gritty but generic…
As the economic and political importance of Hong Kong expanded exponentially in the second half of the 20th century, so did the reach of its…
Setting themselves far apart from most of the indie/DIY horror scene that focuses on squeaky exploitation thrills and slasher stuff (not that there’s anything wrong…
M3GAN is dead, long live Monkey. In 2022, Gerard Johnstone’s yassified murder doll injected new life into the January horror canon, TikTok dancing across the…
28 Years Later pushed the blockbuster forward by just as many years, shaking off the ubiquitous flat and sterile look forced down our throats by…