The weakest of Pedro Almodóvar’s four films this decade, the oddly muted melodrama Broken Embraces is also something no other work from the Spanish master has…
A VH1 programmer’s (wet) dream come true, It Might Get Loud assembles three generations of guitar gods under one roof, where they’ll talk shop, swap…
With his late-career peak, 1992’s Husbands and Wives, Woody Allen explored the rocky slope of marriage in all its complex infidelities and regrets. Since around…
Emotional revelations are a common motif throughout Bent Hamer’s filmography, whether it be discovering the significance of family in Eggs, the necessity of friendship in…
Given the market’s desire for escapist films and an audience’s need to placate a media-induced fear of Mexico, the high profile Mexican film Rudo y…
Following 2006’s Half Nelson, a convincing depiction of friendship between a 13-year-old and her crack-addict teacher (a role which Ryan Gosling won an Academy Award…
In 12, director Nikita Mikhalkov brings to fruition a project ten years in the making. The film is something of a re-imagining of Sidney Lumet’s…
Awarded the Palm D’or at this year’s Cannes Film Festival, Laurent Cantet’s fluid and free-form drama, The Class, commits itself to the natural, unaffected representation…
Call Ari Folman’s Waltz With Bashir — a compendium of recollections and remembrances of an old man (Folman), concerning the massacre of Lebanese citizens in…