The first of this year’s Wavelengths short film programs begins, appropriately enough, with Ten Mornings Ten Evenings and One Horizon, a 2016 work by Tomonari…
There’s an innate novelty to Ron Howard directing a film like Eden, and it’s disingenuous not to mention it. The filmmaker has by all reasonable…
Seeking to reduce a filmmaker’s chief thematic preoccupation is usually a waste of time, for any one worth their stuff works in a storm of…
Almost as if it were made in response to John Krasinski’s IF, a saccharine fantasy about a motherless young girl who through magical contortions was able…
Sophy Romvari has used cinema to mine the fractured, seemingly incomplete nature of her family history since her first short film, Nine Behind. In that…
In director Nicolás Pereda’s Copper, Lázaro (Pereda regular Lázaro Rodríguez) discovers a corpse by the side of the road. It’s unusual enough for him to…
Comparisons to Everything Everywhere All at Once seem inevitable in the early buzz on Yang Li’s Escape from the 21st Century. The TIFF program guide…
No matter how common the surroundings or how ordinary the story may be, a Christian Petzold film always catches the viewer by surprise. His films…
“I’ve got to start something,” Nino, the eponymous protagonist of Pauline Loquès’ feature debut, announces early in the film to his mother at the kitchen…
Peak Everything (or Amour Apocalypse, its easily translatable French title) is only Anne Émond’s second film to premiere internationally, following Our Loved Ones — easily…
Despite its almost apologetic title, the latest feature from Iranian filmmaker Jafar Panahi bears a highly incendiary load. Not quite a call to arms against…
To the avid film festival observer, the gargantuan, Odyssean works of Filipino director Lav Diaz competing or winning an award is something of a staple.…
One day, noticing an influx of dust into their apartment due to some construction outside, a person known only as an “academic ladyboy” (as they…
Melancholy, that inexplicable feeling of pensiveness, constitutes the centerpiece of memory, at least when memory divulges itself to its owner and defers all fantasies of…
Biblical scholars and theologians use “antediluvian” to describe the world of Genesis between the fall from Eden and the flood. Literally meaning “before the flood,”…
Over the course of three seasons, I Think You Should Leave has cemented Tim Robinson as a genuinely iconic comedic performer. With episodes under 20…
A cascading slant of coastal daylight betrays the futile dangers of vacation time in Durga Chew-Bose’s sensual, stilling, and elegiac rendition of Françoise Sagan’s 1954…
In a movie titled A Normal Family, one thing can be certain: the family is obligated to abnormality. Hur Jin-ho’s newest film, an adaptation of…
Shot on grainy 16mm and scored by loopy, synth approximations of classical instruments, Joe DeBoer and Kyle McConaghy’s Dead Mail sets up a dialectical battle…
Like his 2012 masterpiece Tabu, Miguel Gomes’ Grand Tour uses the transition from the silent to the sound era to explore the passage into a…
Alain Guiraudie’s Misericordia begins, as so many stories do, with a homecoming. When first introduced, 30-something Jérémie (Félix Kysyl) is driving to his rural hometown…