Taurus is ultimately too informed by MGK’s real-life persona and proves aimless as an attempt to contend with the great generational tragedy of its subject matter.…
The Last Son is ill-conceived and one-dimensional, yet another bid at mining a the Western mythos that trades only in outmoded tropes and iconography. Playing like…
Funny Face works as genre deconstruction and cinema of a certain geography, but its attempts at explicit commentary are less successful. Tim Sutton is a…
There’s a fine line between the absurd and the transcendent, and Tim Sutton’s Donnybrook crosses it with ludicrous abandon. Jarhead Earl (Jamie Bell) is a…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Vividly shot in the titular city, Memphis is the sophomore film from Tim Sutton, writer-director of the digressive, virtually plotless coming-of-age film Pavilion, whose lush…