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In Review Online
  • New Releases
    1. Before We Vanish
    2. Blockbuster Beat
    3. Genre Views
    4. Horizon Line
    5. Streaming Scene
    6. Spotlight
    7. View All
    Rats! — Carl Fry and Maxwell Nalevansky
    February 24, 2025
    The Fishing Place — Rob Tregenza
    February 24, 2025
    Gazer — Ryan J. Sloan [New/Next ’24 Review]
    February 24, 2025
    Millers in Marriage — Edward Burns
    February 24, 2025
    Black Bag — Steven Soderbergh
    March 10, 2025
    The Monkey — Oz Perkins
    February 24, 2025
    Captain America: Brave New World — Julius Onah
    February 24, 2025
    Paddington in Peru — Dougal Wilson
    February 24, 2025
    In the Lost Lands — Paul W.S. Anderson
    March 10, 2025
    Timestalker — Alice Lowe
    February 24, 2025
    Heart Eyes — Josh Ruben
    February 24, 2025
    The Dead Thing — Elric Kane
    February 24, 2025
    The Klezmer Project — Leandro Koch & Paloma Schachmann
    February 24, 2025
    Jazzy — Morrisa Maltz
    February 24, 2025
    Bring Them Down — Chris Andrews
    February 24, 2025
    Armand — Halfdan Ullmann Tøndel
    February 24, 2025
    Broken Rage — Takeshi Kitano
    February 24, 2025
    SLY LIVES! (aka The Burden of Black Genius) — Ahmir “Questlove” Thompson
    February 24, 2025
    The Gorge — Scott Derrickson
    February 24, 2025
    Bridget Jones: Mad About the Boy — Michael Morris
    February 24, 2025
    The Empire — Bruno Dumont
    March 11, 2025
    Mickey 17 — Bong Joon Ho
    March 6, 2025
    Presence — Steven Soderbergh
    February 3, 2025
    I’m Still Here — Walter Salles
    February 3, 2025
    The Empire — Bruno Dumont
    March 11, 2025
    In the Lost Lands — Paul W.S. Anderson
    March 10, 2025
    Black Bag — Steven Soderbergh
    March 10, 2025
    Mickey 17 — Bong Joon Ho
    March 6, 2025
    Previous Next
  • Festival Coverage
    1. 2025 International Film Festival Rotterdam
    2. 2024 Tallinn Black Nights Film Festival
    3. 2024 London Film Festival
    4. 2024 New/Next Film Festival
    5. View All
    Rendez-Vous with French Cinema 2025: Suspended Time, Wild Diamond, Planet B
    March 12, 2025
    Doc Fortnight 2025 — Dispatch 1: Henry Fonda for President, Sleep #2, Middletown
    March 5, 2025
    Slamdance Film Festival 2025 — Dispatch 1: In the Mouth, Coroner to the Stars, Lockjaw
    February 26, 2025
    IFFR 2025 — Dispatch 3: Pavements, The Last Dance, The Things You Kill
    February 12, 2025
    Previous Next
  • Kicking the Canon
    1. Film Canon
    2. Album Canon
    3. View All
    Every Action a Transaction: Alex Cox’s Repo Man
    March 3, 2025
    Digital Deliriums: David Lynch’s Inland Empire
    February 28, 2025
    Shadows Creep In: Clint Eastwood’s Million Dollar Baby
    February 27, 2025
    A Uniquely American Flavor of Eccentricity: Robert Altman’s Nashville
    February 20, 2025
    Previous Next
  • Feature Articles
    1. Essays
    2. Interviews
    3. Retrospectives
    4. A Decade Of
    5. Year in Review
    6. View All
    Holding the Complexity of Things: An Interview with Bruno Dumont
    March 14, 2025
    Residual, Amazing Benefits: An Interview with Peter Riegert
    March 13, 2025
    A Sense of Memory and Impermanence: An Interview with Atom Egoyan
    March 3, 2025
    Mom, I’m Dating a Samurai Demon: Atmospheric Dread and Slasher Mechanics in Blood Beat
    February 25, 2025
    Previous Next
  • Music Archives
Tag

Tommy Lee Wallace

Browsing
- by Mike Thorn

It‘s Back: Adaptations of Stephen King’s Horror Epic

November 30, 2023
  • January Releases

    • The Monkey — Oz Perkins

      - by Andrew Dignan February 24, 2025

    • Captain America: Brave New World — Julius Onah

      - by Matt Lynch February 24, 2025

    • Presence — Steven Soderbergh

      - by Lawrence Garcia February 3, 2025

    • Wolf Man — Leigh Whannell

      - by Andrew Dignan February 3, 2025

    • Oceans Are the Real Continents — Tommaso Santambrogio

      - by Travis DeShong February 3, 2025

    • Pepe — Nelson Carlos de los Santos Arias

      - by Zach Lewis February 3, 2025

    • Marcello Mio — Christophe Honoré

      - by Michael Scoular February 3, 2025

    • From Ground Zero — Rashid Masharawi

      - by Joshua Peinado February 3, 2025

    • Den of Thieves 2: Pantera — Christian Gudegast

      - by Matt Lynch February 3, 2025

    • Companion — Drew Hancock

      - by Andrew Dignan February 3, 2025
  • InRO Monthly

    • February 2025 — Reviews Roundup

      February 28, 2025 - by InRO Staff
  • Kicking the Canon

    • Every Action a Transaction: Alex Cox’s Repo Man

      - by Padaí Ó Maolchalann March 3, 2025

    • Digital Deliriums: David Lynch’s Inland Empire

      - by Anand Sudha February 28, 2025

    • Shadows Creep In: Clint Eastwood’s Million Dollar Baby

      - by Autumn Parker February 27, 2025

    • A Uniquely American Flavor of Eccentricity: Robert Altman’s Nashville

      - by Andrew Reichel February 20, 2025

    • An Entire Aesthetic Toolbox: Otto Preminger’s Where the Sidewalk Ends

      - by Daniel Gorman February 14, 2025
  • Festival Coverage
  • Support Our Writers!
  • Popular Posts

    • Best Films of 2024: #50–41

      - by InRO Staff December 23, 2024

    • Eyes Wide Shut and the True Meaning of Christmas

      - by Milo Garner December 19, 2024

    • Venom: The Last Dance — Kelly Marcel

      - by Matt Lynch October 24, 2024
  • Staff

© 2024 In Review Online

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