No festival season rests complete without at least one recent opus by Filipino director Lav Diaz receiving due consideration, and Venice 2024 ensured this…
Göran Olsson’s Israel Palestine on Swedish TV 1958-1989 is a remarkable documentary, if not purely for its access to decades worth of newsreels, interviews,…
On the surface, Dutch filmmaker Jan-Willem van Ewijk’s Alpha. falls into the trap set out by most contemporary European festival circuit films. It’s a…
The name most likely to catch the attention of cinephiles in the credits of Shahab Fotouhi’s first feature Boomerang is co-editor Aleksandre Koberidze, who…
A tasteless trend in movie marketing to reveal titles one letter at a time transitioned seamlessly into movie-making at some point in the last…
In an early scene in Igarashi Kohei’s Super Happy Forever, Sano (Hiroki Sano) confronts a child on the beach. It’s a scene that feels…
In the opening scene of Ciro De Caro’s Taxi Monamour, the film introduces one of its two heroines in a hospital clinic: a young…