In spite of his standing as a widely respected pop surrealist, David Lynch’s relationship with critics and audiences has always been complicated, if not…
Wormrot’s latest is an agonizing and extraordinary blend of grindcore, black metal, and screamo, coupled with surprising emotional complexity. After their blistering 2016 album…
Spirit of Ecstasy is a difficult and deliberately provocative work of avant-garde experimentalism, but is further proof of Imperial Triumphant’s ability to back up…
Yoon Seo-jin’s debut feature Chorokbam opens ominously. After an aging nightwatchman (Lee Tae-hoon) investigates the loud meowing he overhears, he makes a grisly discovery…
Things have been building to this moment for a while, but ever since films like Julia Ducournau’s Raw crossed over to find a mainstream…
Horsegirl’s debut doesn’t quite distinguish itself from the influences it so enthusiastically sources, but there’s plenty here to suggest bigger and better things going…
Incantation is found footage horror that does little to add fresh twists to a stale formula, instead relying on a non-stop barrage of tired…
Headful of Sugar finds Sunflower Bean leaning even further into trend-chasing and poptimist orthodoxy. When Tame Impala infused the indie music scene with its retro-futurist…
Otoboke Beaver once again take the ceiling off with Super Champon, a thrilling, aggressive sophomore album brimming with ideas, twisted humor, and noise rock blasts.…
Freakscene is worth a watch for completists, but anyone looking for a more comprehensive, well-structured deep-dive would do well to look elsewhere. Legendary indie…
Kiyoshi Kurosawa is a filmmaker with a profoundly idiosyncratic streak that belies his reputation in certain quarters as a “mere” horror director. Consequently, most…