When the Marvel Cinematic Universe started to come together in the late 2000s and early 2010s, it was not only fashionable but easy to pick…
Stephen King adaptations are as popular and generic as ever, despite claims of some kind of renaissance, and this latest iteration of Pet Sematary is hardly an exception.…
Perhaps setting itself up as a corrective to the rest of the DC comics films, which are apparently perceived to be overly dark and serious,…
Us begins with a sincerely spooky prologue taking place in 1986, when young Addy wanders away from her bickering parents at the Santa Cruz boardwalk and…
Like Black Panther before it, the representational bona-fides of Captain Marvel, the latest Marvel Cinematic Universe, entry have been at the forefront of its marketing and…
There’s a lengthy, terrific scene in Glass, in which the protagonists — three people with extraordinary abilities — are confronted both by each other and by…
Imagine a script development meeting where everyone involved in making Aquaman sat down to solve one all-important question: “How do we make Aquaman cool?” Now imagine…
It’s kind of hard to imagine that the multi-billion-dollar Transformers franchise has never previously leaned hard on nostalgia for the beloved ’80s toys and cartoon series…
Greek director Yorgos Lanthimos has developed quite a novel shtick: He sets up extremely schematic scenarios that force his characters into very bleak decisions as…
Although a bit of a scaling down from his previous tech-heavy outings, Alfonso Cuarón’s Roma is nothing if not a fully realized vision: a deeply felt…
Whereas 2015’s Creed transcends its station as essentially the seventh Rocky due in large part to director Ryan Coogler’s reliance on his actors’ emotional intelligence, and his ability to balance character…
After celebrated prestige pictures like Shame and 12 Years a Slave, you’d be forgiven for expecting something less disreputable from Steve McQueen than Widows. But McQueen’s normal tendencies…
David Fincher’s The Girl With the Dragon Tattoo was less about the mystery of a serial killer picking off women, more about investigating its lead character, Lisbeth Salander. Nearly…
Do we really need another portrait of a frustrated sad-sack young man, even if it comes in the form of one of Lee Chang-dong’s typically…
The stripped-down premise and formal exactitude of John McTiernan’s 1987 Predator are precisely not present in Shane Black’s The Predator, the latest attempt to drag-out and elaborate on a…
Riley North’s (Jennifer Garner) retribution in Peppermint doesn’t begin with her husband and daughter being murdered by drug dealers. It begins with some other, more wealthy…
Those familiar with Hélène Cattet and Bruno Forzani’s previous films, Amer and The Strange Colour of Your Body’s Tears, will be well-prepared for another of…
Releasing a steady stream of vaguely jingoistic docudramas all starring Mark Wahlberg as a hero/patriot, Peter Berg has become a bit of a joke as…
Here’s a movie about Jason Statham fighting a gigantic killer prehistoric shark. That’s all it is. The Meg spends not much time setting up its premise…