Genre fare has sunk to new depths with The Dead Thing, Elric Kane’s first solo-directed feature — and an enervating one at that. There’s…
Conspicuously absent from the fall festival circuit, Fatih Akin’s Rhinegold bowed at the Filmfest Hamburg back in October 2022, and is only now getting…
Without further context, one could be forgiven for conflating Skywalkers: A Love Story with yet another Star Wars spinoff. Donning the Jedi’s patronymic and…
Parables, as with social satires, have been considered both ripe for adaptation and stubbornly resistant to reinterpretation; although Kafka and Orwell have seen their…
Republics, as it were, are spaces of contradiction — the citizens’ collective supreme authority refracted through the figures of their representatives — whose political…
As documentaries go, the subject of plant life tends to suffer from a lack of tangible movement. Inertia, ascribed to the slow-moving, still hearkens…
There is a provocation inherent in the depiction of sex as sensation: shed the vows and the assurances of deep emotional connection, and all…
Enzo (Georgios Giokotos) and Magda (Astrid Drettner) are brother and sister, but they don’t always get along, and their rocky relationship has had its…
The murder mystery has proven conducive, in recent years, for mashing up tired genre formulae. It has also provided a studded launching pad, marketing…
The provocations of the Italian poet, critic, and filmmaker Pier Paolo Pasolini have been, for contemporary viewers, largely condensed into that one magnum opus…
In Tiger Stripes, Amanda Nell Eu’s debut feature, a trio of twelve-year-old girls contend with the sudden and inexplicable physical changes that occur inside…
Co-opting traditions as metaphors for the struggles of everyday life has always been cinema’s staple, either because these traditions romanticize the world or because…
Narrative, as academics and book club members alike will tell you, is as much about process as it is about the final product. A…
In contrast with the high-profile and ostentatious trappings of Everything Everywhere All At Once, which enmeshed the idiosyncrasies of genre with patent identity politics,…
Following the critical success of 2018’s The Wolf House, directoral duo Cristóbal León and Joaquín Cociña have returned with The Hyperboreans, a papier-mâché melange…
Your films have been widely described as having thematic preoccupations with the future and its anxieties, but at the same time they also are…
What would Andrew Tate or the late Theodore J. Kaczynski make of Sasquatch Sunset? The litmus tests of this cinematic curio, which is more…
Scarcity, meet self-interest: with the rising threat of ecological collapse and the persistent wherewithal to do little about it, dystopian scenarios have increasingly sought…