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August 17, 2016

by Chris Mello Retrospective

Noriko’s Dinner Table | Sion Sono

August 17, 2016

Though it sports a few grisly images of its own, Noriko’s Dinner Table borrows most of its bloodshed from its companion film, Suicide Club. Sono repurposes the opening of his breakthrough—during which 54 high school students jump in front of an oncoming train—several times here, first for context and later for impact. But rather than repeat himself, Sono fashions Noriko’s Dinner Table as a melodrama about the dissolution of family and the creation of oneself in the internet era. Its most…

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Drew Hunt Retrospective

Strange Circus | Sion Sono

Pull any Sion Sono movie off the shelf and chances are somebody somewhere has called it his “most extreme.” With a filmography as pervasively perverse and profane as Sono’s, one could place such a distinction on almost any title and probably be correct in…

August 17, 2016
In Review | Online film and music criticism