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July 2017

by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 3

July 19, 2017
The Mole Song

The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies), a project which we wrote about in our first dispatch from the fest; the latest film from the very prolific Takashi Miike (The Mole Song: Hong Kong Capriccio); and a deceptively grim psychological horror effort from divisive cult auteur Sabu (Happiness).…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 2

July 11, 2017
Mad-World

The 16th annual New York Asian Film Festival (June 30th – July 16th) is now nearing the end of its two-week run. Our first dispatch included films from Taiwan, Thailand, Japan, Hong Kong, China, and North and South Korea. Dispatch 2 skews more extensively Chinese, including two films that were actually already released in theaters in the U.S. (Han Han’s Duckweed and Derek Tsang’s Soul Mate) and several first-time filmmakers (Wong Chun with Mad World, Derek Hui with This Is Not What I Expected, and Liu Lin with Someone to…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 1

July 4, 2017
Wet Woman

The 16th annual New York Asian Film Festival (June 30th – July 16th) started its two-week run on Friday, and we’re putting together our beefiest coverage ever: three lengthy dispatches posted throughout the whole sprawling schedule. In Dispatch 1, you’ll find NYAFF’s more characteristic, genre-oriented fare (Alan Mak and Felix Chong’s Extraordinary Mission, Leste Chen’s Battle of Memories), but also several serious-minded dramas (Midi Z’s The Road to Mandalay, Miwa Nishikawa’s The Long Excuse, Lee Kyoung-mi’s The Truth Beneath), off-kilter comedies (Nattawut Poonpiriya’s Bad Genius, Chen Yu-Hsun’s The Village of No Return), a…

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