Carlo de los Santos Arias‘s Cocote moves from a wealthy estate in Santo Domingo to the town of Oviedo, using a personal tale of revenge to examine…
Valérie Massadian’s follow-up to her acclaimed (and still undistributed) 2011 debut Nana is precisely controlled, but without ever resorting to a clinical distance from its…
It’s not until around the 20-minute mark that Mori, the Artist’s Habitat fleetingly entertains a notion of conflict. An inn manager begs famed oil…