With Ana, Mon Amour, director Calin Peter Netzer is desperately trying to align himself with the great figures of doomed romantic cinema, from Rivette and Cassavettes to Bergman and Pialat. That’s certainly a bold aspiration, although given that rarified air it is perhaps unsurprising that he misses the mark. Charting the tumultuous relationship of Toma (Mircea Postelnicu) and Ana (Diana Cavallioti) from infatuated, horny college students to parenthood to middle aged divorcees, Netzer tries his hardest to inject some life into…
