#KickingtheCanon

#KickingtheCanon by Greg Cwik Music

PJ Harvey | To Bring You My Love

PJ Harvey had already infiltrated the mainstream by 1995, thanks to two of her early singles (“Sheela Na Gig” and “50ft Queenie”) earning medium rotation on radio stations. Her clanging punk-rock trio were just accessible enough to appease fans of Pearl Jam, but just weird enough…

February 10, 2019
#KickingtheCanon by Paul Attard Music

Madonna | Madonna

A few months after the release of her self-titled debut, a then fresh-faced Madonna went on American Bandstand to perform one of her album’s biggest hits: the six-minute-long, infectiously breezy, post-disco odyssey “Holiday.” Dressed in all black and surrounded by an adoring audience, the “Detroit”…

February 4, 2019
#KickingtheCanon by Paul Attard Music

Green Day | Dookie

Before the eye paint, the brain-dead political anthems, and their embrace of radio-friendly sensibilities, Green Day was a raggedy assembled trio of stoner misfits with rockstar ambitions, similar to Hüsker Dü, and a sound in line with the Replacements. (Though lead vocalist/guitarist Billie Joe…

January 27, 2019
#KickingtheCanon by Greg Cwik Music

Pavement | Slanted and Enchanted

Pavement’s debut album, a sui generis cornucopia of fuzz-box riffs and unwonted lyrics, opens with the best song the band ever recorded, maybe the best debut single of the decade: a three-minute, lo-fi emission of buzzsaw guitar and Dadaist lyrics (“My eyes stick to…

January 20, 2019
#KickingtheCanon by Greg Cwik Music

Lust for Life | Iggy Pop

The first of the two albums that Iggy Pop and David Bowie recorded during 1977, The Idiot is, in a sense, a David Bowie album, just one with Pop providing lyrics and vocals: Bowie dominated the production, sort of using the sessions as practice, honing the…

January 13, 2019
#KickingtheCanon by Greg Cwik Music

Galaxie 500 | On Fire

Galaxie 500 is often labeled as a “shoegaze” band, which is understandable: their indolent, undeviating style (gently distorted guitars committing to one riff, one obsessive, rhythmic progression, and Dean Wareham’s sui generis singing, that indelible voice pervading each song like an unsound apparition) doesn’t…

January 5, 2019
#KickingtheCanon by Greg Cwik Music

Marvin Gaye | Here, My Dear

Despite his sultry, salacious crooning and all that iconic baby-making music (“Let’s get it on / Ah, baby, let’s get it on / Let’s love, baby”), Marvin Gaye was, in real life, not such a romantic. In modern parlance, one might call him problematic.…

January 2, 2019
#KickingtheCanon by Hassan Abbas Music

Sepultura | Chaos A.D.

Brazil in the early ’90s, seen in popular imaginaries of the West and as a rich cultural oasis of bustling urbanity and golden, suntanned sexual expression, loses its luster when looked at through the lens of its imperial history. Riddled with almost 400 years of direct colonialist rule, since its…

December 15, 2018
#KickingtheCanon by Paul Attard Music

Eminem | The Slim Shady LP

In the winter of 1996, Marshall Mathers put everything on the line. Under the moniker of Eminem, he had been making waves in Detroit’s underground battle rap scene for about half a decade, supporting his family with various odd jobs with the hope his dedication would…

December 1, 2018
#KickingtheCanon by Paul Attard Music

Najma | Qareeb

British-born Najma Akhtar never intended to become a singer; she followed in the footsteps of her parents and graduated with a masters in Chemical Engineering from Aston University. It wasn’t until Najma visited distant relatives in Najibabad, India, and learned Urdu, that she picked up the vocal tradition of spiritual poems…

November 22, 2018
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