In this dispatch: Every Contact Leaves…
Museums always claim to be the home for lost religious art/anthropological objects — Alain Resnais’ and Chris Marker’s Statues Also Die tackled this patronizing and…
The latest experimental documentary by Lynne Sachs — her 49th film overall — is entirely organized around a formal conceit that simply doesn’t work. That’s…
What better medium for communing with the spirits than film? Sights and sounds of eras since passed, or visions of things unknowable in reality —…
In 2020, Kevin B. Lee and Lého Galibert-Laîné released Bottled Songs 1-4, an epistolary essay film constructed via Lee’s desktop documentary method. Divvied up into…
The Kinshasa-based media group known as Collectif Faire-Part takes its name from their 2018 debut featurette, Faire-Part, about Congolese street performers. Earlier this year the…
Sometimes you just want to be scared. Is that too much to ask? Not if you’re Damian Mc Carthy. Across three features, the Irish director…
In this dispatch: A Date With Shirley…
Back in the ’90s, Ken Jacobs came to the San Francisco Bay Area for a week of programs and seminars. When attending one of the…
Charlie Birns, by his own account, set out to direct a documentary that would re-capture his transcendent experience in an acting class taught by self-styled…
Hansel Porras Garcia’s sophomore feature Tropical Park accomplishes a remarkable feat in cinema. In any other film, the depiction of a fraught encounter between a…
For an artist whose conceptions of cinema constantly evolved with the developing technologies and audiovisual forms, it’s a bit of a shame that Ken Jacobs’…
Austrian-born, U.S.-based filmmaker G. Anthony Svatek has an interest in human systems, and how they are put in place to manage forms of chaos that…
There was a time not so very long ago where, hard as it is to believe these days, East Asian cinema was commonplace among the…
“It’s amazing to be able to create something that others don’t understand at all.” So says an elderly woman to the aspiring punk singer-songwriter of…
“From the mind of The RZA” and “presented” by Quentin Tarantino comes One Spoon of Chocolate. In the film, Shameik Moore plays a veteran, washed…
In an old interview with David Ehrlich, filmmaker and critic Kent Jones recalls a conversation with Arnaud Desplechin in which the great French director told…
“Living out of a suitcase” and splitting her time between New York and Madrid, Isabel Sandoval arrived in Manila in early February. She returned to…
Maybe Our Land, Lucrecia Martel’s new film, reminds me of Edits, Chuquimamani-Condori’s 2025 laptop dump of DJ edits, simply because I listened to the latter…
Horror continually mines the dark crevices between belief and skepticism. Explorations of witchcraft, folklore, and the paranormal are fertile grounds for character-building, so that a…
At the beginning of Lucrecia Martel’s first feature-length documentary, Our Land (originally titled Landmarks), we’re presented with satellite images of Earth. From this zoomed out…