“Amanda Kramer Body Swap Movie” is a description that, if you’re familiar with her work, should get that brain firing with possibility. At the very…
Where is the line between genuine love and selfish devotion? That’s the question bubbling at the center of Dusty Mancinelli and Madeleine Sims-Fewer’s sophomore feature,…
It’s been a while since we last saw Gore Verbinski. Definitely an idiosyncratic stylist, he found himself a real niche in the early 2000s with…
Luis Buñuel didn’t think much of the Joseph Kessel novel that was the source material for his 1967 adaptation of Belle de Jour and mostly…
In “Wuthering Heights” — as Emerald Fennell sees it — death and ecstasy rest on the head of the same pin. Its opening credits are…
The title of Bart Layton’s Crime 101 is a play on the film’s plot primarily transpiring on and around the 101 Freeway — a major interstate highway…
Filmmaking duo Madeleine Sims-Fewer and Dusty Mancinelli took the 2020 TIFF Midnight Madness crowd by storm with their stunning debut feature Violation, an extremely dark,…
In 2021, a residential area in the southside of Glasgow, Scotland, exploded into an impromptu stand-off against police and deportation officers. Early on May 13,…
If one were to conjure an impression of the apocalypse, it might be in the heart of sound — a detonation so vast and infinite…
Krakatoa If one were to conjure an impression of the apocalypse, it might be in the heart of sound — a detonation so vast and…
Ashish Avikunthak’s films, like many Asian and African avant-garde films, unfortunately find themselves caught in a tangle of categorization problems when playing in Western festivals.…
It’s a classic conundrum: a documentary focuses on advocacy on a very important topic, and manages to some extent to communicate meaningful information about that…
Since 2018’s Mirai enjoyed substantial international acclaim, and was nominated for an Academy Award, Mamoru Hosoda seems to be on a bit of a Western…
The 20th century is insistently knocking at our door. The crises of its institutions dominate the news, its tragedies repeating themselves daily as farce. The…
One of the difficulties of navigating the Rotterdam Film Festival as a cinephile is the sheer sprawl of its sections, both in terms of older…
The haze of childhood offers considerable dwelling space for joy and grievance alike; forceful then but mostly latent now, these emotions nonetheless bear the transformative…
Luc Besson, famed French director of Léon: The Professional and The Fifth Element, returns from making the relatively obscure June and John (2025) to release…
January Reviews Week of December 28 Genre Views We Bury the Dead — Zak Hilditch January 2 by Daniel Gorman Read Review Week of January…
Moonglow Writing in e-flux Journal on Klute’s semicentenary, Isabel Sandoval discussed in detail the immeasurable influence of Alan J. Pakula’s neo-noir crime thriller — especially…
Writing in e-flux Journal on Klute’s semicentenary, Isabel Sandoval discussed in detail the immeasurable influence of Alan J. Pakula’s neo-noir crime thriller — especially its…
In any competitive race, the relevant agents can be organized as such: the spectators, who traditionally stay rooted to the spot and view its proceedings…