The Reason I Jump stumbles a bit when it attempts to overexplain but is an otherwise illuminating and beautiful portrait of an underrepresented population. Based on…
King Car is more jester than royalty, a soft-bellied and derivative exercise in empty shock. New Brazilian feature Carro Rei (King Car) is aggressively weird, the…
“You say you’re under a curse – well so what? So’s the whole damn world.” In a darkened cave, miles away from Ashitaka’s home, a…
Episode Description: We are back! 2021 is a new year, and after taking a break due to COVID (perhaps counterintuitive, we know), we are ready…
Shadow in the Cloud holds some promise in its early genre goings, but the second half reveals an unfortunate dearth of ideas and charm. It’s never…
Herself is a well-intentioned but ultimately one-note message film that fails to build any real power. A patron of the British arts, Phyllida Lloyd’s transition from…
Pieces of a Woman showcases a bravura if ostentatious initial quarter, but it’s all downhill from there as the film devolves into mere misery porn tropes. …
With The Midnight Sky, George Clooney the director strikes again, delivering a bland, ugly film that is tedious and void of any emotional poignancy. George…
There is a satisfaction in seeing Yves Tumor deliver an album like Heaven to a Tortured Mind, at once a clever progression of their sonic…
Selena Gomez’s solo albums have always had an intensity that’s been largely misunderstood (or simply written off as an attempt to capitalize on her publicly…
A hip-hop album for old heads and connoisseurs, made by two guys who grew up in the golden age of rap and love it too…
The leanest and meanest country record of 2020, Tami Neilson’s CHICKABOOM! is the dynamic singer-songwriter’s fourth straight career-best album. Over a breakneck set of country…
If those films inextricably linked to childhood experience — those movies, in Serge Daney’s words, “that watched us grow up and saw us… already entangled…
To delve into the world of Ilya Khrzhanovsky’s DAU. is to forgo the comfortable spectatorial positions of detachment and objectivity, and submit to its fantastical reconstruction of…
“The Seattle Mariners are eminently lovable, profoundly human, and stunningly, outrageously weird.” These words come courtesy of Jon Bois, writer, editor, animator, producer, and director…
What would it look like to adapt The Communist Manifesto to film? Thomas Paine’s Common Sense? Industrial Society and Its Future? These texts have no main characters to follow,…
Hook begins Crashed My Car, her first of two mixtapes from 2020, in hysterics, detailing how she, yes, crashed her car. While the Riverside rapper…
The first 30 minutes of CoroNation, Ai Weiwei’s comprehensive snapshot of Wuhan, China in the earliest days of COVID-19’s global devastation, are among the most compelling…
Bad Bunny’s YHLQMDLG provides both an entry point to modern urbano and a crash course in the traditions that built it. The rapper hardly cares…
Simply reading about Horse Lords could never do their music justice. Given their unusual tuning systems, 20th-century classical reference points, and their band members’ assorted…
If there is any affinity to be found between Steven Soderbergh and Olivier Assayas, it’s in their shared ability to turn the economics of filmmaking…