From the title alone, Hirokazu Kore-eda’s follow-up to After the Storm is unlikely to elicit the usual comparisons to Ozu; broadly speaking, The Third Murder…
Sunny Chan’s debut film, Men on the Dragon, is about four middle-aged men who work at a Hong Kong telecommunications company and signed up for a dragon…
Chinese cinematographer-turned-director Dong Yue’s very, very rainy neo-noir The Looming Storm seems, for a while, like it may be doing something pretty impressive. While the film…
The visual style of young Taiwanese director Huang Xi’s debut film, Missing Johnny, bears resemblance to the once-prominent New Wave movement established by his countrymen…
Operation Red Sea, Hong Kong director Dante Lam’s latest military epic and follow-up to 2016’s Operation Mekong, is also loosely based on a true story:…
Jeong Ga-young’s Hit the Night has drawn comparisons to the films of Hong Sang-soo, likely because it features a lot of drinking, even more talking,…
Using the classic yakuza crime-thriller Battles Without Honor and Humanity as a key text of inspiration, The Blood of Wolves tries to peddle tired cliches…
A transfer student targeted by classmates in her small, rural town exacts hyperbolically gory vengeance in Liverleaf, Eisuke Naito’s adaptation of a cult-horror manga by…
Jeon Go-woon’s debut feature Microhabitat offers a conceptually ambitious and thematically rich premise: a young woman named Miso (Esom) — who leads a simple, balanced…
One room, six cameras, thirty-something individuals — these are the spare elements with which Leigh Ledare constructs The Task, a scintillating study of group dynamics…
In Xavier Legrand’s Custody, viewers may get the sense that instead of the domestic drama this has been billed as, what they’re in fact watching is something much closer…
Debra Granik’s new film works best when it doesn’t allow the purity of its empathy to get in the way of its critique of the…
Araby opens with a teenage boy biking home to take care of his sick younger brother, his parents nowhere in sight. He spends the next…
Morgellons is a mysterious illness whose sufferers claim causes horrible breakouts, hair loss, and most curiously, the growth of strange, multi-colored fibers that protrude from…
Denis Côté’s A Skin So Soft is the kind of documentary that lives and dies by its subject: here, the niche subculture of bodybuilding as seen…
Discovering Sara Driver’s No Wave narratives You Are Not I and Sleepwalk during an Anthology Film Archives retrospective of her work several years ago was…
As InRO’s Lawrence Garcia put it, the best thing about film festivals is seeing something that will completely surprise you — and he and I definitely…
Michel Hazanavicius has somehow made a relatively successful career out of feebly imitating established genre tropes or broadly recreating old forms of filmmaking, with The Artist being…
If Jeannette: The Childhood of Joan of Arc doesn’t scale the insurmountable heights of St. Joan films by Dreyer or Bresson, it’s for Bruno Dumont’s…
In transmuting the true-life story of rodeo star Brady Jandreau into the sort-of-fictionalized The Rider, director Chloé Zhao uses low-key character and narrative detail to…
Pedro Pinho’s The Nothing Factory is a Marxist, near three-hour Portuguese drama about labor in a capitalist society. That description might make the film (which took home…