Premiering in the Berlinale’s Forum section, Claire Simon’s documentary Our Body follows her 2021 docudrama I Want to Talk About Duras. The title of…
Across diverse forms of media, artists have devised various modes of depicting oppression. Watching Clement Virgo’s stirring feature Brother, it’s the smallness of the…
Where the Devil Roams It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger…
The latest in Anno Hideaki’s reimagining of classic Japanese tokusatsu stories, following Shin Godzilla, Shin Ultraman, and — depending on how you look at…
Steve J. Adams and Sean Horlor’s terrific new documentary, Satan Wants You, focuses primarily on Michelle Remembers (1980), a nominally “nonfiction” book co-written by…
The cold open of Yugo Sakamoto’s Baby Assassins sequel — called Baby Assassins 2 in boring press materials, while its title card uses the…
Cannily scheduled to be released only a few weeks after Oppenheimer, documentarian Steve James’ (Hoop Dreams) A Compassionate Spy positions itself as a fitting…
Released back in 2015, filmmaker Bill Pohlad’s Love & Mercy was a bisected biopic of the brilliant but tormented musician Brian Wilson, whose preternatural…
The career of Romanian director Paul Negoescu has not been easy to pin down. His debut feature, A Month in Thailand (2012), was a…
We admit it, we’re gluttons for guts, gore, and genre. An antidote to the flattened, self-serious, and artistically anonymous titles that occupy coveted festival…
A decade ago, a baffling headline made waves throughout social media and film forums: director Steven Soderbergh, relatively young, announced his retirement. It was…
Experience really can make all the difference: Samuel Fuller’s films could only have come from a real-life war veteran, and Bull Durham could only…
Sympathy for the Devil rehearses a familiar thriller conceit that is unsurprising from the outset. It opens with the affable everyman protagonist, the Driver…
No doubt this has been said elsewhere already, but the most effective horror traffics in an unreality that’s very much tethered to our real…
Clocking in at a breezy 73 minutes, Kokomo City — which bagged audience awards at both the Sundance and Berlin film festivals — proves…
Writer-director-indie provocateur Neil LaBute strikes again with Fear the Night, the filmmaker’s third feature in less than 12 months. This sudden ubiquity is either…
Non-fiction scenarios and non-professional actors are often characterized as so rich and unpredictable that all a director needs to be is a receiver for…
The past decade suggests an encroaching — or, perhaps at this point, arrived — renaissance in Indigenous art. Regardless of the medium, native voices…