The first two Will Hindle films that were shown in the complete recent Chicago retrospective Unknown Nostalgia (organized by InRO contributor and Tone Glow editor-in-chief Joshua Minsoo Kim)…
After spending his early career transfiguring the aesthetics of early Jean-Luc Godard and other works from the French New Wave’s starting days for his…
In the recent Motion Over Pictures: Two Evenings of Fred Worden retrospective at New York’s Spectacle Theater (co-organized by Paul Attard and Stephen Cappel,…
Wang Bing films have a reputation for their difficulty, but the opening film in his Youth trilogy, Youth (Spring), managed to be surprisingly varied…
The 1954 version of A Star is Born should never have turned out as well as it did. It was a remake of a…
Is there anything new to say about The Godfather? This might have been a worthwhile question even very shortly after it came out. The…
Robert Beavers’ 18-film cycle My Hand Outstretched to the Winged Distance and Sightless Measure, comprising the majority of both his filmography and a recent…
Funny how tastes change. Grand Illusion was almost certainly the Renoir consensus pick for many years — it was a box office smash in…
Among the boldest of the great Argentine films that emerged at the start of the 2000s was Lisandro Alonso’s 2001 debut La Libertad, a…
Crossing opens with a title card stating that Georgian and Turkish are gender-neutral languages, with grammar not containing gender-oriented articles. We then are introduced…
“None of my films are realistic, and certainly not naturalistic, including Sound and Fury, even though it touched on a certain social reality. They…
Let us begin as I started: in media res. Two moths, born far too late to appear in the flurry of wings that made…
Appreciating the work of Barry Gerson in recent years has been somewhat difficult. His work remains noted in high regard when it’s shown and…
One of the more adorable touches in Pablo Berger’s animated film Robot Dreams comes early on, when our lonely dog protagonist’s apartment is revealed…
When the band Slowdive came out of a 22-year hiatus with a self-titled album, the silhouetted graphic of a face that made up the…
Long whispered about by in-the-know cinephiles but seldom seen in American theaters, Greek director Antoinetta Angelidi’s long overdue U.S. debut comes courtesy of Prismatic…
New Directors/New Films takes a certain amount of pride in the names they’ve launched, and it’s not unjustified: any festival that can boast Hou…
Kevin Jerome Everson sprays out films like a machine gunner, but he’s got a sniper’s aim. Marbled Golden Eyes, his latest documentary portrait about…