Let us begin as I started: in media res. Two moths, born far too late to appear in the flurry of wings that made…
Appreciating the work of Barry Gerson in recent years has been somewhat difficult. His work remains noted in high regard when it’s shown and…
One of the more adorable touches in Pablo Berger’s animated film Robot Dreams comes early on, when our lonely dog protagonist’s apartment is revealed…
When the band Slowdive came out of a 22-year hiatus with a self-titled album, the silhouetted graphic of a face that made up the…
Long whispered about by in-the-know cinephiles but seldom seen in American theaters, Greek director Antoinetta Angelidi’s long overdue U.S. debut comes courtesy of Prismatic…
New Directors/New Films takes a certain amount of pride in the names they’ve launched, and it’s not unjustified: any festival that can boast Hou…
Kevin Jerome Everson sprays out films like a machine gunner, but he’s got a sniper’s aim. Marbled Golden Eyes, his latest documentary portrait about…
Master French experimental filmmaker Jean-Claude Rousseau plays with pop music in Où sont tous mes amants?, a title borrowed from a 1935 tune that…
The inimitable internal torments of David Cronenberg’s Dead Ringers are colored in bloody red and sterile chrome, starting with the melancholy anatomical figures and…
The rare Shinya Tsukamoto film to not star the director himself, Shadow of Fire is his third consecutive period piece, following Fires on the…