Madeleine Hunt-Ehrlich’s new film can only be described as experimental. It doesn’t just explore the legacy of Martinican writer Suzanne Roussi-Césaire, an intellectual whose ideas…
What’s so titillating about Hong Kong? Certain cities have sex appeal, of course — it’s easier to imagine a ménage à trois in Paris than…
War stains the soul. It can haunt its victims like a specter, and the appropriately titled Ghost Trail centers on a scarred man who hovers…
In her feature-length directorial debut, Jane Austen Wrecked My Life, writer-director Laura Piani effervescently manages the tricky task of bringing the deep emotionality and light…
If nothing else, Eugene Kotlyarenko is a filmmaker dedicated to understanding how we live with technology, and his greatest strength is a willingness to confront…
Across five feature films to date, most of which exist within a liminal space located between fiction and documentary narrative, demarcated with blurred lines, Roberto…
At first, Yoko Yamanaka’s Desert of Namibia seems to be just another entry in what this writer is calling Millennium Mambo-core, after the growing yet…
“I hate ’love’ in my own language,” says the Norwegian music artist and novelist Jenny Hval in the title track from her album The Practice…
Filled with the rhythm of a rock song and the visual language of a nightmare, Karan Kandhari’s Sister Midnight feels like the mix spun from…
The music documentary is a pretty dependable product, sure to find space in a number of festival nonfiction lineups and, eventually, the programs of independent…
Masculinity has long been amorphous and tricky; it’s an endlessly fascinating and complex concept to all except those who need it and those who sell…
It’s hard to read, let alone write, a piece of film criticism today that doesn’t talk about the lack of creativity in the industry. As…
Having established a strong lane for herself somewhere in between narrative and nonfiction filmmaking with her recent run of features, Crystal Moselle stays on course…
Over the course of three seasons, I Think You Should Leave has cemented Tim Robinson as a genuinely iconic comedic performer. With episodes under 20…
Swamp Dogg is a workhorse. The mercurial musician and producer, born Jerry Williams Jr., began his all-but-auspicious career at age 12 under the moniker Little…
A cascading slant of coastal daylight betrays the futile dangers of vacation time in Durga Chew-Bose’s sensual, stilling, and elegiac rendition of Françoise Sagan’s 1954…
There are few genuinely pleasurable elements in Daniel Minahan’s On Swift Horses. Adapted by Bryce Kass from Shannon Pufahl’s novel of the same name, the…
Stray dogs, lone horses, and rampant horniness may not make for pleasing documentary subject matter, but they add to the sense of joie de vivre…
In Fire Island, director Andrew Ahn and writer/actor Joel Kim Booster retrofitted Jane Austen’s Pride and Prejudice, not just as a means to reflect the…
What can be done with the anger that tragedy bears? Brett Neveu wrote Eric LaRue for the stage in the wake of the Columbine massacre,…