Pedro Costa has long been celebrated for his loose Fontainhas trilogy, a series of docu-fiction hybrids made in collaboration with residents of the former…
The summer of 1996 saw the release of three huge blockbusters that would in one way or another influence the next 20 odd years…
More comparable to Walerian Borowczyk than any other well-known Polish filmmaker, Andrzej Zulawski never really gained more than a dedicated cult following during his…
At the crossroads of about a half-dozen genres and borrowing the best that each has to offer, there’s no other movie quite like Ridley…
In many ways, Tsai Ming-liang’s Vive L’amour follows (or establishes, given its chronological situation within his filmography) many of the director’s most characteristic tendencies. From…
With the 2020 Cannes Film Festival shuttered in the wake of the ongoing global COVID-19 pandemic, the spring festival’s storied history is once again…
**What follows is the inaugural KtC entry for the recently added 1950s canon. Make sure to check out all of the 1950s inclusions (and…
For virtually his entire career, Abel Ferrara has seemed to occupy a liminal space in film criticism, not unlike the spaces his characters seem…
Classifying Blue strictly as a piece of cinema seems like a rather odd distinction, considering Derek Jarman breaks the cardinal sin of the medium…
Haunting, melancholy, and achingly cool, Louis Malle’s 1958 debut Elevator to the Gallows (Ascenseur pour L’échafaud) laid the cinematic foundations for motifs and aesthetics…
A languid watercraft cruising the currents of the Hudson River. “Captain! Something off the port bow!” A rotten human arm floating in the distance.…
Alain Resnais’s ingenuity as a filmmaker is on full display in his adaptation of one of the British theater’s most complex and rewarding works,…
In their 2015 documentary, De Palma, Noah Baumbach and Jake Paltrow let iconoclastic writer/director Brian De Palma speak about each of his films, chronologically,…
“I’ve only loved girls with dead fathers.” So says Denis Lavant’s young criminal Alex during the midpoint nocturne of Mauvais sang, the sophomore feature…
“I didn’t know you never wake up from some dreams.” says Officer 663 (Tony Leung Chiu-Wai), one of many lovelorn characters in Wong Kar-wai’s…
The brilliance in the work of Joel and Ethan Coen comes from the brothers’ ability to find balance in the seemingly contradictory nature of…
Red Beard — despite its three-hour-plus runtime, massive 2.35:1 widescreen aspect ratio, and a production history lasting approximately two years — is a rather…
No question, the ‘90s were a turbulent time for superhero movies: the Superman franchise had long been dormant, put in limbo thanks to producer…