It’s the mark of a truly lazy and amateur writer to begin any piece with a dictionary definition, specifically one which relates back to the…
One of the most accomplished actors of his generation, equally adept at conveying volcanic rage and soft-spoken humility, Adam Driver’s greatest gift arguably is that…
What started more than two decades ago as a completely unexpected shot in the arm for a mostly dead subgenre has steadily declined into being…
Somewhere along the line, not all that long ago, Arnaud Desplechin ceased to be a marketable name in the U.S. film biz. While certainly never…
The latest film from French actor-director Valeria Bruni-Tedeschi is difficult to evaluate. One could argue that, for what it is, it is fairly accomplished. A…
Ballet school drama Neneh Superstar is the kind of film that gives festivals like Rendez-Vous with French Cinema a reason to reach out to younger…
Three Nights a Week is less the love story between a straight man and a drag queen it has been billed as, and rather a…
Zhang Lu has proved a unique presence in 21st-century film: A Korean-Chinese literary intellectual of the 1980s who became a little-known cult figure in the…
Helmut Dosantos’ feature debut, Gods of Mexico, is an ethereal work of observation, informing tonality through compositional rigor, the beauty on display siphoned into a…
Depending on your disposition, New York City’s claustrophobic crush of humanity is either unsettling or liberating, if not both simultaneously — it’s not easy to…
Naomi Kawase’s 2014 romance drama Still the Water is never short on striking imagery. Set in Amami Ôshima, an island off the southern coast of…
It seems safe to say that we’re currently experiencing a remarkable resurgence of interest in Jacques Rivette; long the most mysterious of all the Nouvelle…
These days it feels like we’re more frequently encountering stories of people — particularly men — obsessed with legacy. Characters yearn for a sense of…
When Jamie Dack’s Palm Trees and Power Lines premiered at last year’s Sundance Film Festival, it was against the backdrop of a roiling and mostly…
From its first frames, Rikiya Imaizumi’s Call Me Chihiro is easily identifiable as a Netflix original. Adapted from Hiroyuki Yasuda’s manga Chihiro-san, the film’s flat,…
Kurt Wimmer’s mirthfully overwrought Children of the Corn, a revamp of one of horror’s longest and least-consequential franchises, is more fun than it should be.…
Creed III continues to mirror the trajectory of its parent Rocky franchise. The first one was a dare-you-say transcendent recapitulation of the original film’s working-class…
As a film title, God’s Time looks and sounds a lot like Good Time, and the similarities don’t end there. Writer-director Daniel Antebi’s tale of…
Adapted from Claire Keegan’s novella Foster, out for over a decade in the author’s home Ireland but only just hitting U.S. shelves at the end…
Luis Buñuel’s Los olvidados, released, rather perfectly, at the midpoint of the century, is perhaps one of the most uninviting kickoffs to a director’s second…