The Invitation perhaps could have actually been surprising if marketing hadn’t spoiled its game, but there’s unfortunately not much else for viewers to have…
Untrapped flirts with greatness in its initial stretch, but soon frustratingly settles into lionization and depthless narrative. There’s a solid half-hour stretch where Untrapped briefly…
Loving Adults is visually impressive and sporadically interesting, but sacrifices the necessary character depth for this type of film at the altar of melodramatic plot…
In the 25 years since Robert Zemeckis released Contact, the search for extraterrestrials has moved from fringe conspiracy theory to a matter of national…
Samaritan is a shallow, abysmally paced actioner that fails to deliver any impressive action. A drab, joyless affair, the new Sylvester Stallone vehicle Samaritan…
Three Thousand Years of Longing presents a fairly stimulating academic study in its early going, but ultimately fails to balance its conceptual and emotional…
“The problem with Forrest Gump is it made a billion dollars. If we’d just made a successful movie, Bob and I would have been…
No matter how many times I see it, Death Becomes Her exists first and foremost as a VHS box sitting on the cramped shelf…
Even though, to many audiences today, the eclecticism of live-action and animation may appear as a sort of a postmodernist achievement in the realm…
Me Time is an unfunny, haphazard, and chemistry-poor waste of everyone’s time. The Kevin Hart-Netflix train rolls on with Me Time, a new buddy comedy…
Cinephilia is necessarily littered with the detritus of half-remembered viewing experiences, films only glimpsed from childhood in a perspective almost wholly incompatible with the…
Out of the Blue feels like a bizarre cross between Murder, She Wrote and Cassandra’s Dream, punched up with a healthy dose of LaBute’s patented woman-hating toxicity.…
This Magnificent Cake! could stand be fleshed out a bit and its dual metaphors can feel somewhat redundant, but there’s no denying the film’s astounding…
Nowadays we’re saddled with tepid action comedy stuff like The Lost City or Chris Pratt and Bryce Dallas Howard’s alleged chemistry in the Jurassics…
Funny Pages frequently approaches incisive commentary about youth’s quest for validation, but it ultimately ends too meekly and with too little introspection. Life comes at…
It’s often difficult to understand Babysitter’s aims, and viewers deserve more than something this over-caffeinated and underwritten. Director Monia Chokri’s dark comedy Babysitter establishes a…
Though the vast majority of Robert Zemeckis’ films are family-friendly, it’s also easy to find cruelty and blatant sexuality in nearly all of them,…
The farcical elements of The Good Boss amusingly build across its runtime, but by the end the film feels a bit too schematic and…