The title of A24’s newest tragicomic offering, We Live in Time, recalls the gleeful cliché of romance films from the decade past: The Time…
It’s possible to make the claim that, from a certain point in his career, the works of the veteran (and outcast) Russian filmmaker Alexander…
Rumours Since his out-of-nowhere debut feature Tales from the Gimli Hospital in 1988, Winnipeg-based director Guy Maddin has become synonymous with a very particular…
Since his out-of-nowhere debut feature Tales from the Gimli Hospital in 1988, Winnipeg-based director Guy Maddin has become synonymous with a very particular brand…
Why is it that in the nation of Spain, a nation whose siestas evince a clear cultural supremacy over their efficiency-imprisoned neighbors, regularly invites…
“Our dominance is supreme and our isolation is profound.” These words, taken from N. Scott Momaday’s essay, “A Storyteller and His Art,” pronounce the…
“There comes a time when the only way you can make a statement is to pick up a gun.” When Sara Jane Moore attempted…
Revolving Rounds In Johann Lurf’s thrilling 2019 film Cavalcade, a 35mm camera records an apparent long take of a six-foot phenakistoscope water wheel constructed…
It’s been hard for me to describe Jinho Myung’s debut feature Softshell (2024) ever since it premiered at New/Next Film Festival on the first…
In Caddo Lake’s hectic opening moments, Paris (Dylan O’Brien) fails to save his mother, trapped underwater in a car she has driven off a…
One approaches the release of Ali Abbasi’s The Apprentice with equal parts morbid curiosity and dread. Mired in what was almost certainly expected controversy…
After Guillermo del Toro’s well-liked and richly imagined Hellboy films, as well as 2019’s misbegotten David Harbour-led attempted reboot, it may have seemed like…
While it’s undoubtedly true that every era of cinema likely produced more mediocrities than masterpieces, the dirty little secret of our streaming era is…
As with all great films, crime dramas, at their best, are much more than the machinations of their dense plots. Some of these films…
In 2016, there was Terrifier. Written and directed by Damien Leone, the film was produced for peanuts and offered little more than some decent practical…
ESSAYS A MAN CHISELING AWAY AT STONE: ANTHOLOGY FILM ARCHIVES’ ROBERT BEAVERS RETROSPECTIVE FEATURE BY: Andrew Reichel THE THIEF TURNS BARDIC: ON RAJ KAPOOR’S…
The Room Next Door Spanish director Pedro Almodóvar’s English-language films have operated in a particularly confessional mode. Featuring The Room Next Door’s co-star Tilda…
In the intro to My Undesirable Friends: Part 1 – Last Air in Moscow, director Julia Loktev states that none of the subjects or…