While far from the first instance, Pratibha Pramar’s latest documentary My Name Is Andrea is one of the more high profile reclamations that radfem writer/orator…
Baz Luhrmann’s Elvis delivers what’s expected: thrillingly pure exhibitionism for its own sake, the kind of massively scaled contemporary blockbuster in too short supply in…
Flux Gourmet has a few tasty morsels, but it mostly offers glimpses at the more adventurous filmmaker that Strickland used to be. The films of Peter…
Lakota Nation vs. United States “U.S. history is a branch of a larger tree of history… but it’s that covetous branch that thinks it’s the…
After a prolific run of eye-shredding digital shorts produced throughout the 2010s, Berlin-based visual artist Rainer Kohlberger has begun touring his first feature-length project, Answering…
A Man of Integrity is a probing, challenging film, a poetic latticework of sadness and anger. Leave it to the fates of film distribution that Iranian…
Apples boasts a rich starting premise, but too often undermines its conceptual potency with obvious punchlines and lazy sentimentality. What would society look like if…
The track record of measured, believable — let alone sympathetic — portrayals of mental illness on the big screen is spotty at best, oftentimes veering…
After Sherman At its most fraught, to be Black is to feel as if locked in constant battle with the external forces committed to devaluing…
Beba is a uniquely fascinating or formally gorgeous mining of personal history, one that fully immerses viewers into its subject’s headspace. “You are now entering…
The Other One is an overcomplicated affair, but also a hyper-stylized and thrillingly violent one, and further proof that American blockbuster cinema is lagging. Released in…
Good Girl Jane Writer-director Sarah Elizabeth Mintz’s debut feature, Good Girl Jane, treads a well-worn path in its portrayal of an innocent teenage girl’s eventual…
[NOTE: This review contains spoilers.] After having made three no-budget features with co-director Rodrigo Ojeda-Beck, Robert Machoian broke through in 2020 with The Killing of…
No one is going to mistake Lightyear for a return to form for Pixar, but its littered small pleasures make for an inoffensive animated space yarn.…
Spiderhead is pure algorithm “art,” an empty bad-tech tale that delivers nothing new or exciting. You’d be forgiven for getting excited for a mid-budget, talent-driven, non-IP-based…
Jerry and Marge Go Large presents its larger-than-life tale with restraint and sincerity, imbuing its caper framework with the tenderness of a Christmas comedy. If you’ve…
Artist and critic Fred Camper once called Howard Hawks (and I’m paraphrasing from memory here) the “hardest to define of all the classic Hollywood auteurs,…
Clytaemnestra is compelling matched to its adapted text and its defining power dynamics, but is also a remarkably dry, frequently enervating work of stifled rhythms. What…
Official Competition is a decidedly strange film — formally impressive, off-kilter in its humor, and often incisive with its observations of the state of cinema. If…
Sophia Having established a strong lane for herself somewhere in between narrative and nonfiction filmmaking with her recent run of features, Crystal Moselle stays on…