The eponymous protagonist of Domingo and The Mist lives on a dilapidated dairy farm, high in the hilly rainforests of Costa Rica. He spends his…
Freakscene is worth a watch for completists, but anyone looking for a more comprehensive, well-structured deep-dive would do well to look elsewhere. Legendary indie rock…
In ultimately providing too many answers to its excessive plotting, A Chiara extinguishes some of its more troubling and intriguing possibilities. A gangster film from the…
Serge Bozon’s follow-up to Madame Hyde (2017), Don Juan seems to continue that film’s revisionist update of a classic tale, while also returning in some fashion…
The Worst Ones, the debut film from Lise Akoka and Romane Gueret, opens on interviews with the young French people Flemish film director Gabriel (Johan…
Don Juan Serge Bozon’s follow-up to Madame Hyde (2017), Don Juan seems to continue that film’s revisionist update of a classic tale, while also returning in…
Look at Me is an entertaining Rorschach test, a declaration and a plea to study the evidence of a spectacular, troubled life. It begins with a…
Carried by Skeggs and Gellner’s relentlessly flickering energy, Dinner in America is a modest but unexpectedly sweet experience. Adam Rehmeier’s sophomore film Dinner in America updates…
Given the ongoing international crisis unfolding in Ukraine, the films of Sergei Loznitsa — born in Belarus but raised in Kiev, and now living in…
The competing modes of The Tsugua Diaries result in the sense of one film slapped upon another, Gomes’ adventurousness sacrificed in the name of the contemporaneous. The…
Mariner of the Mountains is a beautiful family project that becomes diluted within the context of Aïnouz’s filmography, slowing the film’s considerable poetry. Per the film’s…
Final Cut Though remakes of beloved films are usually met with some degree of warranted skepticism, sometimes the combination of director and material is too…
March, 2020. In the seaside city of Catania, Italy, a migrant camp prepares for a visit from French President Emmanuel Macron and German Chancellor Angela…
There’s no doubt that a certain flavor of slow-paced, static-master-shot style filmmaking has become a film festival staple. Reporting from any major international fest will…
Kiyoshi Kurosawa is a filmmaker with a profoundly idiosyncratic streak that belies his reputation in certain quarters as a “mere” horror director. Consequently, most of…
Chip ‘n Dale: Rescue Rangers needs rescued from the Mouse House, which has here flattened the meta-reboot into a flavorless work of IP regurgitation. Somewhere…
Good Mourning isn’t the cult stoner comedy it angles to be, but there’s a welcome amiability that permeates the entire film, elevating this MGK vanity…
A New Old Play is a rich, complex contribution to the Chinese folk tradition, and a “theater” film for the ages. Without getting too far into…
Cordelia engages as an exercise in tension for a while, but is utterly undone by a slogging climax that opts for conceptual indulgence and dank metaphor.…
Mau delivers only celebratory mythos and lore where a thornier portrait of its subject could have built something far more meaningful. In this era of virtually…