“Anywhere where in order to get rich you have to make someone else richer is America” says musician Deni (Donald Glover) early into Guava…
Eli Roth has long thrived in a culture that does not seem to understand, nor like, him. This isn’t to say that he’s lacked…
While Paul W. S. Anderson’s Resident Evil films continued to grow a stronger and stronger reputation among the most vulgar of auterists, another series — of…
It’s really not clear why Oscar-winning actress Brie Larson would want to cash-in her awards clout on a hopelessly muddled slog like Unicorn Store. Filmed…
The narrative framework of Helena Wittmann’s Drift revolves around two women, each going their own separate ways after spending some time together in northern Germany. One of…
The directorial debut of Ghanan filmmaker Sam Blitz Bazawule takes a while to get where it’s going; the plot synopsis of the 80-minute film…
In Dario Argento’s Deep Red, the piercing visions of a Jewish-German telepath (Macha Méril) serve as an embodiment of this Italian master’s worldview: to look is…
Chinese cinema is now deep into its latest movement, its 8th Wave. But this moment is a conflicted one, as intensely contradictory as Chinese existence itself…
Relaxer sticks to a grim formalist gimmick that exhausts its visual ideas by about the halfway mark, leaving director Joel Potrykus to indulge in…
Khalik Allah’s new essayistic documentary Black Mother is a deeply moving work of humanistic empathy, intertwining the personal and the political into an aesthetic that…
The foggy shores of Australia’s Christmas Island become a crossroad for migrants of both the human and animal variety in Gabrielle Brady’s haunted and…
Knife + Heart was probably the oddest entry in Cannes’ main competition slate last year — a trendy, queer, pop cinema throwback that stood-out…
If nothing else, Gaspar Noe’s Climax suggests that, should someone ever decide to revive the Step Up franchise, Noe might be a name producers could…
Christian Petzold is one of our great contemporary dramatists, taking the building blocks of melodrama and draining them of artificiality; he’s a kind of…
Acclaimed film critic and programmer Kent Jones follows up 2015 documentary Hitchcock/Truffaut with his first fiction film as writer/director, yielding decidedly uneven results. Diane is a…
As one of the only Iranian films with traction and visibility on the international festival circuit, Jafar Panahi’s Three Faces has much to prove.…
An Elephant Sitting Still, Hu Bo’s bleak epic of lives spent swimming upstream in the modern economic conditions of China, is an exacting depiction…
Shot on gorgeous 35mm, and in director Laszlo Nemes’s preferred close-up style (ported in from his debut feature, Son of Saul), and employing what…