The majority of American moviegoers probably have no idea that the new comedy Downhill is a remake of 2014’s French/Swedish co-production Force Majeure, directed by…
Shot between August 2016 and January 2017 in the Dom Pedro Hotel in the slums of Sao Paulo, Brazilian filmmaker Maíra Bühler’s Let it Burn is…
When we open our eyes, what is it that we first see? There’s inanimate objects that we can recognize, but that requires several steps beyond…
The Neighboring Sounds festival booklet describes Private Fiction as Argentinean filmmaker Andres Di Tella charting a turbulent 20th Century romance through archival photos and letters from his parents,…
David Zonana’s Workforce possesses lofty artistic ambitions for a debut: it apes Bresson rather liberally, utilizing somber diegetic music cues, mostly non-professional actors, a relatively…
Marcelo Gomes’ Waiting for the Carnival unfolds in the village of Toritama, the self-proclaimed “capital of jeans,” in the Brazilian state of Pernambuco. Though it…
Miguel Hilari’s Compania is a small, modest gem of a film, a poetic evocation of mystical and religious ceremonies juxtaposed with the natural beauty of the agrarian…
“I’m not in the mood to get probed today.” “You think you’re worried? I’m not even wearing pants!” And so goes the humor of Sonic…
Ostensibly a spinoff from 2016’s Suicide Squad, Birds of Prey wisely abandons most of that film’s macho swagger — and, much more pointedly, its iteration…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
Nikolaus Geyrhalter’s latest is a rhythmic, matter-of-fact portrait of economic compromise. Nikolaus Geyrhalter’s Earth, from the outset, frames its massive landscapes as sites of continual…
Beanpole is a rending vision of aftermath, conjuring moments of real beauty from misery. War films have been with us as long as film has been…
The Traitor operates as both biopic and mob flick, reveling in the murky complexity of its central figure. A biopic of Mafia boss Tommaso Buscetta (played…
Color Out of Space is a willing 80s horror throwback but relies on its foregone status as future cult film rather than developing anything truly excellent.…
Bonello’s attempt to meld cultural commentary with a historical consideration of colonialist sins is lost amid a commitment to tension-building. Voodoo, as represented in Zombi Child,…
VHYes is a wannabe absurdist curiosity but is instead an interminable viewing experience. Jack Henry Robbins’ VHYes is the kitschy, post-ironic, pseudo-found footage 80’s pastiche the world didn’t…
The shallow characterizations at the core of Les Misérables dampen the effect of its incendiary anger. Ladj Ly’s debut feature may be called Les Misérables,…