True to its title, 2010’s Hahaha is very funny — amusing in ways that might even cloak its generous, searching ambition. The film follows two skirt-chasing,…
Lengthy runtimes have never been totally essential to Hong Sang-soo’s work, but there is a certain quality intrinsic to his approach — how he…
As with many Hong Sang-soo films, 2009’s Like You Know It All deliberately repeats itself: Goo Kyeong-nam (Kim Tae-woo), an arthouse director, goes on two…
Hong Sang-soo’s 2009 film Night and Day marks many firsts for the director, including his first film shot on digital and his first to…
As perhaps the most narratively straightforward Hong Sang-soo film to date, albeit one still prone to a certain structural mischievousness, Woman on the Beach modulates its conceptual restraint…
With Caniba, the Harvard Sensory Ethnography Laboratory duo Véréna Paravel and Lucien Castaing-Taylor turn their typically assured lens on Issei Sagawa, a Japanese man who was deported from Paris…
The first striking thing about 2006’s Woman Is the Future of Man is its blunt exhibition of various cruel and brutal sexual behaviors, which…
In 2005’s Tale of Cinema, as in most of Hong Sang-soo’s works, structure is part of the story. The film is split into two…
In Hong Sang-soo’s 2002 film On the Occasion of Remembering the Turning Gate, a young actor, Gyung-soo (Kim Sang-kyung), goes on vacation to visit…
“I should correct something if it’s wrong,” says Soo-jung (Lee Eun-ju), the titular virgin of 2000’s Virgin Stripped Bare by Her Bachelors, to her…
Two strong, entirely unrelated stories are told in 1998’s The Power of Kangwon Province — and Hong Sang-soo resorts to employing a third narrative…
A retrospective look at the first feature by any major auteur tends to bring-out some desire for a grand analysis of their work —…
When Hong Sang-soo made his debut feature, 1996’s The Day a Pig Fell Into the Well, the South Korean cinema had not yet developed…
You’d be forgiven if you didn’t know that the recent Maggie Gyllenhaal vehicle The Kindergarten Teacher was a remake of a 2015 Israeli movie.…
Directing debuts from established actors are often cause for skepticism or outright disappointment. (Not everyone can be Charles Laughton.) And so it is with…
Jia Zhang-ke has long been a master of conflating the personal and the political, charting large societal upheavals with a surprising intimacy. Ash Is…
The 2018 New York Film Festival just wrapped over the weekend — which means it’s curtains for 2018’s fall festival season (I’m so sorry). Our…
Set amidst a deeply bourgeois milieu where children tend to be treated more like expensive fashion accessories than actual human beings, Tamara Jenkins’s wise, warm, and…