Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider, may have felt a tension building…
Athina Rachel Tsangari’s newest film, Harvest, begins on the precipice of change. Based on Jim Crace’s novel of the same name, Tsangari’s adaptation is set…
What remains of the video store today is a boutique novelty. Unless you happen to live in a neighborhood hip enough to indulge in cinephilic…
When the world turned to shit approximately five years ago, satire marched ahead, determined to outpace the banality of lived reality. Old-school broadcasts and appeals…
Kiyoshi Kurosawa has been arguably the greatest filmmaker of the last decade, his works across this period constituting one of the most impressive contemporary bodies…
Why is it that in the nation of Spain, a nation whose siestas evince a clear cultural supremacy over their efficiency-imprisoned neighbors, regularly invites very…
It’s been over a decade now since I caught Rithy Panh’s The Missing Picture at the Vancouver Film Festival. The director’s chronicle of his memories…
Fans of Nora Ephron be warned: Materialists has been grossly mismarketed. Fresh off the success of her Oscar-nominated Past Lives, it seemed puzzling that Celine…
To coin an adage, directing a Stephen King adaptation is like getting a tattoo: it’s difficult to stop at one. The only thing harder to…
It’s hard to pinpoint when Wes Anderson The Brand caught up with Wes Anderson The Director. It might have been some time around his spot…
Having cemented his status with 2017’s Sweet Country — a beguiling if sometimes schematic topography of race and coloniality in the outback — as a…
Much has changed in the world over the past 10 years. A worsening environmental crisis has decimated the way of life for millions of people.…
In 2001, Jia Zhangke made Unknown Pleasures, in which Zhao Tao plays a woman named Qiao Qiao who tries to make a living as a…
“The world’s most important and influential band breaks up and it’s not a big deal.” Thus begins Alex Ross Perry’s Pavements, establishing from the jump…
There’s a moment smack in the middle of Beginning, Georgian director Dea Kulumbegashvili’s formally astute but callously cruel debut feature film about the combined oppressive…
If you know anything at all about French director François Ozon, then you realize just how little we know about him. Sure, we have all…
In the earliest funerary customs, grave sites would be marked with a stone, or a whittled piece of wood, or, perhaps, a gigantic pyramid. We’ve…
The opening shot ofTrương Minh Quý’s Việt and Nam depicts two men in enveloping darkness. One carries the other on his back as he trudges…
Like his 2012 masterpiece Tabu, Miguel Gomes’ Grand Tour uses the transition from the silent to the sound era to explore the passage into a…
Despite many noble dead on the field, the battle to prohibit video games from the hall of art has long since failed. The temple is…