Petals for Amor finds Hayley Williams at her most vulnerable as a lyricist and most experimental as a musician. If Hayley Williams intended to hide…
The New Abnormal sees The Strokes return to a familiar sonic landscape with a newfound lyrical maturity, to somewhat mixed results. The New Abnormal is…
Recall that Cartoon Network’s The Powerpuff Girls had an opening sequence which explained how to create “super-powered” girls: mix sugar, spice, and everything nice…
Across three mixtapes preceding Chancelor Bennett AKA Chance the Rapper’s studio debut, an organic maturation, both personal and artistic, occurred. 10 Day proved a…
Patience is a virtue that most hip-hop fans don’t possess, and one that they don’t really need to; it’s generally been accepted that in…
From the moment Vampire Weekend stepped off the Columbia University campus and quite literally into Rostam Batmanglij’s “studio” apartment to record songs about Lil…
Maren Morris’ second album, Girl, certainly feels and sounds like her type of record, at least based off of the music from her previous…
For those who still associate Rivers Cuomo with the confessional and unabashed awkwardness of Pinkerton, an album of estimable emotions that seems to have been…
The music that Gustav Åhr made as emo-trapper Lil Peep was confessional, misanthropic, self-loathing, bringing fans some solace just by showing them that their pain…
Alessia Cara is at odds with herself on her sophomore album, The Pains of Growing. Following the meteoric rise of debut single “Here” —…
It’s often been said that Mariah Carey has little humility, but how much of that is just for show? Four years on from the…
If Ariana Grande’s Sweetener was the feel-good pop project of the (late-ish) summer, focusing on the catharsis of newfound love (at the time…), then Robyn’s…
“Who said it was easy?/They can never stop we” sings the most put-upon recording artist of the last decade — an artist who’s never…