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In Review Online
  • New Releases
    1. Monthly Roundups
    2. Before We Vanish
    3. Blockbuster Beat
    4. Genre Views
    5. Horizon Line
    6. Streaming Scene
    7. Spotlight
    8. View All
    April 2025 — Reviews Roundup
    May 2, 2025
    March 2025 — Reviews Roundup
    April 4, 2025
    February 2025 — Reviews Roundup
    February 28, 2025
    January 2025 — Reviews Roundup
    February 3, 2025
    Asog — Sean Devlin [Review]
    April 30, 2025
    Dawn of Impressionism: Paris 1874 — Ali Ray [Review]
    March 28, 2025
    The Heirloom — Ben Petrie [Review]
    March 28, 2025
    Secret Mall Apartment — Jeremy Workman [Review]
    March 21, 2025
    Final Destination Bloodlines — Adam B. Stein & Zach Lipovsky [Review]
    May 16, 2025
    Mission: Impossible — The Final Reckoning — Christopher McQuarrie [Review]
    May 14, 2025
    Thunderbolts* — Jake Schreier [Review]
    May 1, 2025
    The Legend of Ochi — Isaiah Saxon [Review]
    April 30, 2025
    Bring Her Back — Danny Philippou & Michael Philippou [Review]
    May 29, 2025
    Hurry Up Tomorrow — Trey Edward Shults [Review]
    May 19, 2025
    Clown in a Cornfield — Eli Craig [Review]
    May 7, 2025
    Párvulos: Children of the Apocalypse — Isaac Ezban [Review]
    April 30, 2025
    Friendship — Andrew DeYoung [Review]
    May 9, 2025
    On Swift Horses — Daniel Minahan [Review]
    April 30, 2025
    Magic Farm — Amalia Ulman [Review]
    April 30, 2025
    The Wedding Banquet — Andrew Ahn [Review]
    April 30, 2025
    Fountain of Youth — Guy Ritchie [Review]
    May 24, 2025
    Havoc — Gareth Evans [Review]
    April 30, 2025
    Bullet Train Explosion — Shinji Higuchi [Review]
    April 30, 2025
    April ’25 Animal Docs: Pangolin: Kulu’s Journey, Sea Lions of the Galapagos, & Pets [Review]
    April 30, 2025
    When Fall is Coming — François Ozon [Review]
    April 30, 2025
    The Shrouds — David Cronenberg [Review]
    April 17, 2025
    Việt and Nam — Trương Minh Quý [Review]
    March 28, 2025
    Baby Invasion — Harmony Korine [Review]
    March 21, 2025
    Bring Her Back — Danny Philippou & Michael Philippou [Review]
    May 29, 2025
    Fountain of Youth — Guy Ritchie [Review]
    May 24, 2025
    Hurry Up Tomorrow — Trey Edward Shults [Review]
    May 19, 2025
    Final Destination Bloodlines — Adam B. Stein & Zach Lipovsky [Review]
    May 16, 2025
    Previous Next
  • Festival Coverage
    1. 2025 Cannes Film Festival
    2. 2025 New Directors/New Films
    3. 2025 Overlook Film Fest
    4. 2025 Cinéma du Réel
    5. View All
    Cannes Film Festival 2025 — Dispatch 4: Jeune Meres, Resurrection, Sentimental Value
    May 30, 2025
    Cannes Film Festival 2025 — Dispatch 3: It Was Just an Accident, Urchin, Magellan
    May 26, 2025
    Cannes Film Festival 2025 — Dispatch 2: Eddington, The Little Sister, Militantropos
    May 22, 2025
    Cannes Film Festival 2025 — Dispatch 1: Sound of Falling, Two Prosecutors, I Only Rest in the Storm
    May 19, 2025
    Previous Next
  • Kicking the Canon
    1. Film Canon
    2. Album Canon
    3. View All
    A Delightful Dream: Howard Hawk’s Gentlemen Prefer Blondes
    May 28, 2025
    The Instinctual Lurches of Desire: André Téchiné’s Wild Reeds
    May 16, 2025
    Birth of the Cool: Takeshi Kitano’s Violent Cop
    May 14, 2025
    A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence
    May 8, 2025
    Previous Next
  • Feature Articles
    1. Essays
    2. Interviews
    3. Retrospectives
    4. A Decade Of
    5. Year in Review
    6. View All
    Traditional Satire with a Humanist Impulse: Eugene Kotlyarenko on The Code
    May 23, 2025
    Sex, Power, and Gaudy Decor: Josef von Sternberg’s Scarlet Empress
    May 21, 2025
    War is Purgatory: An Interview with Roberto Minervini
    May 20, 2025
    The Lives That We All Share: An Interview with Jia Zhangke
    May 9, 2025
    Previous Next
  • Music Archives
- by InRO Staff

Cannes Film Festival 2025 — Dispatch 4: Jeune Meres, Resurrection, Sentimental Value

Young Mothers Immersing yourself in…

Read More
- by Alexander Mooney

Bring Her Back — Danny Philippou & Michael Philippou [Review]

Central to Danny and Michael…

Read More
- by Robert Stinner

A Delightful Dream: Howard Hawk’s Gentlemen Prefer Blondes

Marilyn Monroe and Jane Russell…

Read More
- by InRO Staff

Cannes Film Festival 2025 — Dispatch 3: It Was Just an Accident, Urchin, Magellan

It Was Just an Accident…

Read More
- by Matt Lynch

Fountain of Youth — Guy Ritchie [Review]

Do you have two hours…

Read More
- by Caleb Hammond

Traditional Satire with a Humanist Impulse: Eugene Kotlyarenko on The Code

Eugene Kotlyarenko is a filmmaker…

Read More

Recent Reviews

Hurry Up Tomorrow — Trey Edward Shults [Review]

May 19, 2025 - by Andrew Dignan
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Final Destination Bloodlines — Adam B. Stein & Zach Lipovsky [Review]

May 16, 2025 - by Dhruv Goyal
Continue Reading

Mission: Impossible — The Final Reckoning — Christopher McQuarrie [Review]

May 14, 2025 - by Matt Lynch
Continue Reading

Friendship — Andrew DeYoung [Review]

May 9, 2025 - by Jesse Catherine Webber
Continue Reading

Festival Coverage

Nino — Pauline Loques [Cannes ’25 Review]

May 30, 2025 - by Patrick Fey

“I’ve got to start something,” Nino, the eponymous protagonist of Pauline Loquès’ feature debut, announces early in the film to his mother at the kitchen…

Peak Everything – Anne Emond [Cannes ’25 Review]
May 30, 2025
Sentimental Value — Joachim Trier [Cannes ’25 Review]
May 30, 2025
Dead Does Not Exist — Felix Dufour-Laperrier [Cannes ’25 Review]
May 30, 2025
Cannes Film Festival 2025 — Dispatch 3: It Was Just an Accident, Urchin, Magellan
May 26, 2025

Interviews

I Don’t Ever Have to Compromise: An Interview with Joel Potrykus

May 6, 2025 - by Chris Cassingham
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Between Something and Something Else: An Interview with Dea Kulumbegashvili 

April 25, 2025 - by Tony Yang
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Uncoolness as a Virtue: An Interview with Amalia Ulman

April 24, 2025 - by Caleb Hammond
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April Releases

Preloader image

Freaky Tales — Ryan Fleck & Anna Boden [Review]

Zero — Jean Luc Herbulot [Review]

Sacramento — Michael Angarano [Review]

The Uninvited — Nadia Conners [Review]

Asog — Sean Devlin [Review]

The Ugly Stepsister — Emilie Blichfeldt [Review]

April ’25 Animal Docs: Pangolin: Kulu’s Journey, Sea Lions of the Galapagos, & Pets [Review]

Queens of Drama — Alexis Langlois [Review]

Striking Rescue — Siyu Cheng [Review]

The Wedding Banquet — Andrew Ahn [Review]

iHostage — Bobby Boermans [Review]

On Swift Horses — Daniel Minahan [Review]

Magic Farm — Amalia Ulman [Review]

Bullet Train Explosion — Shinji Higuchi [Review]

Tendaberry — Haley Elizabeth Anderson [Review]

G20 — Patricia Riggen [Review]

One to One: John & Yoko — Kevin Macdonald & Sam Rice-Edwards [Review]

A Ghost in New York: Chantal Akerman’s News from Home

Warfare — Alex Garland & Ray Mendoza [Review]

Sinners — Ryan Coogler [Review]

The Shrouds — David Cronenberg [Review]

The Accountant 2 — Gavin O’Connor [Review]

Havoc — Gareth Evans [Review]

Hell of a Summer — Billy Bryk & Finn Wolfhard [Review]

When Fall is Coming — François Ozon [Review]

Eric Larue — Michael Shannon [Review]

825 Forest Road — Stephen Cognetti [Review]

The Luckiest Man in America — Samir Oliveros [Review]

Párvulos: Children of the Apocalypse — Isaac Ezban [Review]

Wake Up — Anouk Whissell & Yoann-Karl Whissell [Review]

A Minecraft Movie — Jared Hess [Review]

The Legend of Ochi — Isaiah Saxon [Review]

Feature Articles

What Kind of Tony Are You: On an Insignificant Character in Alex Garland’s Civil War

April 10, 2025 - by Tony Yang
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A Sequence of Hackings: James Benning’s Breathless

April 9, 2025 - by Dan Ziegler
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In Praise of Lightness: On Hitchcock’s Family Plot

March 20, 2025 - by Matheus Felix
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Mom, I’m Dating a Samurai Demon: Atmospheric Dread and Slasher Mechanics in Blood Beat

February 25, 2025 - by Tyler Thier
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Kicking the Canon

A Ghost in New York: Chantal Akerman’s News from Home

April 4, 2025 - by Lydia de Matos

Her mother’s letters come like intercepted radio transmissions, or echoes of prayers. In this state of relentless observation, pure receptivity, how could she not hear…

The Power of the Hang: Quentin Tarantino’s Jackie Brown
March 27, 2025
The Collapse of All Morality: Robert Bresson’s L’Argent
March 25, 2025
Social Upheaval Starts at Home: Joseph Losey’s The Servant
March 18, 2025
Every Action a Transaction: Alex Cox’s Repo Man
March 3, 2025

Monthly Roundups

January 2025 — Reviews Roundup

February 3, 2025 - by InRO Staff
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December 2024 Roundup: Interviews, Essays, Reviews & More

January 13, 2025 - by InRO Staff
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November 2024 Roundup: Interviews, Essays, Reviews & More

December 16, 2024 - by InRO Staff
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  • Support Our Writers!
  • Popular Posts
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      - by Matt Lynch May 14, 2025
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    • Eyes Wide Shut and the True Meaning of Christmas

      - by Milo Garner December 19, 2024
  • Staff

© 2024 In Review Online

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