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In Review Online
  • New Releases
    1. Monthly Roundups
    2. Before We Vanish
    3. Blockbuster Beat
    4. Genre Views
    5. Horizon Line
    6. Streaming Scene
    7. Spotlight
    8. View All
    April 2025 — Reviews Roundup
    May 2, 2025
    March 2025 — Reviews Roundup
    April 4, 2025
    February 2025 — Reviews Roundup
    February 28, 2025
    January 2025 — Reviews Roundup
    February 3, 2025
    Asog — Sean Devlin [Review]
    April 30, 2025
    Dawn of Impressionism: Paris 1874 — Ali Ray [Review]
    March 28, 2025
    The Heirloom — Ben Petrie [Review]
    March 28, 2025
    Secret Mall Apartment — Jeremy Workman [Review]
    March 21, 2025
    Thunderbolts* — Jake Schreier [Review]
    May 1, 2025
    The Legend of Ochi — Isaiah Saxon [Review]
    April 30, 2025
    A Minecraft Movie — Jared Hess [Review]
    April 30, 2025
    The Accountant 2 — Gavin O’Connor [Review]
    April 25, 2025
    Clown in a Cornfield — Eli Craig [Review]
    May 7, 2025
    Párvulos: Children of the Apocalypse — Isaac Ezban [Review]
    April 30, 2025
    Wake Up — Anouk Whissell & Yoann-Karl Whissell [Review]
    April 30, 2025
    Zero — Jean Luc Herbulot [Review]
    April 30, 2025
    On Swift Horses — Daniel Minahan [Review]
    April 30, 2025
    Magic Farm — Amalia Ulman [Review]
    April 30, 2025
    The Wedding Banquet — Andrew Ahn [Review]
    April 30, 2025
    Eric Larue — Michael Shannon [Review]
    April 30, 2025
    Havoc — Gareth Evans [Review]
    April 30, 2025
    Bullet Train Explosion — Shinji Higuchi [Review]
    April 30, 2025
    April ’25 Animal Docs: Pangolin: Kulu’s Journey, Sea Lions of the Galapagos, & Pets [Review]
    April 30, 2025
    Not Just a Goof — Eric Kimelton & Christopher Ninness [Review]
    April 30, 2025
    When Fall is Coming — François Ozon [Review]
    April 30, 2025
    The Shrouds — David Cronenberg [Review]
    April 17, 2025
    Việt and Nam — Trương Minh Quý [Review]
    March 28, 2025
    Baby Invasion — Harmony Korine [Review]
    March 21, 2025
    Clown in a Cornfield — Eli Craig [Review]
    May 7, 2025
    Thunderbolts* — Jake Schreier [Review]
    May 1, 2025
    The Legend of Ochi — Isaiah Saxon [Review]
    April 30, 2025
    Havoc — Gareth Evans [Review]
    April 30, 2025
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  • Festival Coverage
    1. 2025 New Directors/New Films
    2. 2025 Overlook Film Fest
    3. 2025 Cinéma du Réel
    4. 2025 First Look
    5. View All
    Prismatic Ground 2025: Underground, Concrete Resources, Contact Lens
    May 5, 2025
    New Directors/New Films 2025: Mad Bills to Pay, Lost Chapters, No Sleep Till
    April 12, 2025
    Overlook Film Fest 2025: The True Beauty of Being Bitten by a Tick, Redux Redux, Dead Lover
    April 5, 2025
    The Case of Nonhuman Cinema: Animal Documentaries at CPH:DOX ’25
    April 2, 2025
    Previous Next
  • Kicking the Canon
    1. Film Canon
    2. Album Canon
    3. View All
    A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence
    May 8, 2025
    Possession’s Inevitable Violence: Nicolas Roeg’s Bad Timing
    April 8, 2025
    A Ghost in New York: Chantal Akerman’s News from Home
    April 4, 2025
    The Power of the Hang: Quentin Tarantino’s Jackie Brown
    March 27, 2025
    Previous Next
  • Feature Articles
    1. Essays
    2. Interviews
    3. Retrospectives
    4. A Decade Of
    5. Year in Review
    6. View All
    I Don’t Ever Have to Compromise: An Interview with Joel Potrykus
    May 6, 2025
    Between Something and Something Else: An Interview with Dea Kulumbegashvili 
    April 25, 2025
    Uncoolness as a Virtue: An Interview with Amalia Ulman
    April 24, 2025
    Break It and Make It Their Own: An Interview with Joel Alfonso Vargas
    April 16, 2025
    Previous Next
  • Music Archives
- by Dhruv Goyal

A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence

How does one definitively characterize…

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- by Andrew Dignan

Clown in a Cornfield — Eli Craig [Review]

Titles are a funny thing.…

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- by Chris Cassingham

I Don’t Ever Have to Compromise: An Interview with Joel Potrykus

It makes sense that Joel…

Read More
- by InRO Staff

Prismatic Ground 2025: Underground, Concrete Resources, Contact Lens

Underground Kaori Oda’s Underground is…

Read More
- by InRO Staff

April 2025 — Reviews Roundup

After a rich and varied…

Read More
- by Matt Lynch

Thunderbolts* — Jake Schreier [Review]

What is it going to…

Read More

Recent Reviews

The Legend of Ochi — Isaiah Saxon [Review]

April 30, 2025 - by Padaí Ó Maolchalann
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Havoc — Gareth Evans [Review]

April 30, 2025 - by Matt Lynch
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Bullet Train Explosion — Shinji Higuchi [Review]

April 30, 2025 - by Daniel Gorman
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On Swift Horses — Daniel Minahan [Review]

April 30, 2025 - by Chris Cassingham
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Interviews

Show, and Then Tell: An Interview with Miguel Gomes

March 31, 2025 - by Clara Cuccaro

Miguel Gomes first began to build attention in the United States with his film Our Beloved Month of August in 2008. Since then, the Portuguese…

Looking at Yourself in the Mirror: An Interview with Trương Minh Quý
March 28, 2025
The Circulation of Desire: An Interview with Alain Guiraudie
March 24, 2025
The Creation of Massive Violence: An Interview with Coralie Fargeat
March 19, 2025
Holding the Complexity of Things: An Interview with Bruno Dumont
March 14, 2025

Feature Articles

In Praise of Lightness: On Hitchcock’s Family Plot

March 20, 2025 - by Matheus Felix
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Mom, I’m Dating a Samurai Demon: Atmospheric Dread and Slasher Mechanics in Blood Beat

February 25, 2025 - by Tyler Thier
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It’s Things That Are Complicated: On Godard’s Numéro Deux

February 14, 2025 - by Matheus Felix
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Festival Coverage

Overlook Film Fest 2025: The True Beauty of Being Bitten by a Tick, Redux Redux, Dead Lover

April 5, 2025 - by InRO Staff
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The Case of Nonhuman Cinema: Animal Documentaries at CPH:DOX ’25

April 2, 2025 - by Savina Petkova
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Cinéma du Réel 2025: Little Boy, Paul, Evidence

March 28, 2025 - by InRO Staff
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First Look 2025: Desert of Namibia, The Periphery of the Base, Zodiac Killer Project

March 15, 2025 - by InRO Staff
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Kicking the Canon

Social Upheaval Starts at Home: Joseph Losey’s The Servant

March 18, 2025 - by Robert Stinner

In his expansive body of work as a playwright, Harold Pinter dissected the language of power with a scalpel. Characters speak in clipped, ambiguous sentences,…

Every Action a Transaction: Alex Cox’s Repo Man
March 3, 2025
Digital Deliriums: David Lynch’s Inland Empire
February 28, 2025
Shadows Creep In: Clint Eastwood’s Million Dollar Baby
February 27, 2025
A Uniquely American Flavor of Eccentricity: Robert Altman’s Nashville
February 20, 2025

Monthly Roundups

January 2025 — Reviews Roundup

February 3, 2025 - by InRO Staff
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December 2024 Roundup: Interviews, Essays, Reviews & More

January 13, 2025 - by InRO Staff
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November 2024 Roundup: Interviews, Essays, Reviews & More

December 16, 2024 - by InRO Staff
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  • Support Our Writers!
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  • Staff

© 2024 In Review Online

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