During the 1960s, painter Margaret Keane’s artwork, largely depicting children with outlandishly large eyes, was sold under the name of her husband, Walter, who apparently…
With the release of The Battle of the Five Armies, the third and final installment in Peter Jackson’s Hobbit trilogy, it should be obvious to…
If you haven’t seen Karel Reisz’s 1974 The Gambler before seeing Rupert Wyatt’s new Mark Wahlberg-starring remake, don’t watch it in close proximity to the…
Shawn Levy’s third Night at the Museum film immediately announces its most disconcerting element— its retrograde Orientalist bent—by opening with a 1934 archaeological excavation in…
Nuri Bilge Ceylan’s Winter Sleep opens on the smoldering aftermath of a brushfire, gray smoke rising off the charred earth as the wind blows and…
Many consider Thomas Pynchon’s 2009 novel Inherent Vice to be a minor work; the New York Times’ review dubbed it “Pynchon Lite.” Choosing a seriocomic yarn…
It would be a mistake to overstate the similarities between the events presented in Sergei Loznitsa’s Maidan — a series of non-violent protests gone awry in Kiev,…
The recent controversy over the casting of predominantly white actors in Middle Eastern roles in Exodus: Gods and Kings is, it turns out, the least…
No stranger to treating lurid and uninviting subjects in a chilly fashion, Atom Egoyan’s glacial style of filmmaking has always been both a blessing and…
Noted experimental filmmakers Ben Rivers and Ben Russell have a lot more in common besides sharing a first name. Their respective oeuvres are filled with…
In only her first feature, writer-director Jennifer Kent shows a scary assurance and maturity in plunging headfirst into the chaotic realm of psychological hysteria with…
With the recent Twilight series, the vampire myth had gotten caught in a rut, burying what had been an endlessly, richly expanding legend in a…