After spending his early career transfiguring the aesthetics of early Jean-Luc Godard and other works from the French New Wave’s starting days for his…
The last image of Jean-Luc Godard’s last film, Scénarios, is one of the most heartbreaking in his long, storied, notorious, glorious, defining, essential career. It is…
Engaged in a lengthy process of simultaneous expansion and refinement, the indefatigable Hong Sang-soo seems to practice a new, yet knowingly familiar, alchemy with…
From the summer of 2019 to the winter of 2023, Basel Adra — along with co-directors Yuval Abraham and Handan Ballal — documented how…
Rumours Since his out-of-nowhere debut feature Tales from the Gimli Hospital in 1988, Winnipeg-based director Guy Maddin has become synonymous with a very particular…
Since his out-of-nowhere debut feature Tales from the Gimli Hospital in 1988, Winnipeg-based director Guy Maddin has become synonymous with a very particular brand…
Why is it that in the nation of Spain, a nation whose siestas evince a clear cultural supremacy over their efficiency-imprisoned neighbors, regularly invites…
“Our dominance is supreme and our isolation is profound.” These words, taken from N. Scott Momaday’s essay, “A Storyteller and His Art,” pronounce the…
“There comes a time when the only way you can make a statement is to pick up a gun.” When Sara Jane Moore attempted…
Revolving Rounds In Johann Lurf’s thrilling 2019 film Cavalcade, a 35mm camera records an apparent long take of a six-foot phenakistoscope water wheel constructed…
The Room Next Door Spanish director Pedro Almodóvar’s English-language films have operated in a particularly confessional mode. Featuring The Room Next Door’s co-star Tilda…
In the intro to My Undesirable Friends: Part 1 – Last Air in Moscow, director Julia Loktev states that none of the subjects or…
In the opening scene of Who by Fire, Quebecois filmmaker Philippe Lesage’s latest feature, a car pulls over along a highway for a brief…
Scénarios The last image of Jean-Luc Godard’s last film Scénarios is one of the most heartbreaking in his long, storied, notorious, glorious, defining, essential…
There’s a moment smack in the middle of Beginning, Georgian director Dea Kulumbegashvili’s formally astute but callously cruel debut feature film about the combined…
It has now been seven years since Heinz Emigholz, until 2017 mainly known for his semi-silent architecture films, reintroduced language into his cinema with…
Fire of Wind is the surreal debut feature from Portuguese filmmaker Marta Mateus, which opens presumably in the present, as workers pick grapes in…
Athina Rachel Tsangari’s newest film, Harvest, begins on the precipice of change. Based on Jim Crace’s novel of the same name, Tsangari’s adaptation is…