The Twilight Saga: New Moon hardly needs an introduction. As the second film in the massively popular vampmance series, courtesy of author Stephanie Meyer, New…
Right from the start, it’s clear no expense was spared and no detail neglected in Tony Jaa’s magnum opus actioner, Ong Bak 2: The Beginning.…
Richard Kelly’s new film is based on Richard Matheson’s short fiction “Button, Button,” in which a man gives a struggling couple a wooden box with…
The weakest of Pedro Almodóvar’s four films this decade, the oddly muted melodrama Broken Embraces is also something no other work from the Spanish master has…
Jonathan Rosenbaum once wrote that the lasting legacy of Star Wars, that quintessential Hollywood popcorn movie, was that it conditioned audiences to process mass death…
When I was in third grade, I discovered my love for writing while penning an essay about Amelia Earhart. I vividly remember sitting at my…
Oren Moverman’s quietly moving wartime drama The Messenger arrives just months after the release of Kathryn Bigelow’s much-hyped action-drama The Hurt Locker, two thematically similar, yet…
Directorial collaborations are notoriously uneven and almost always judged by the parts while ignoring the sum. A successful portmanteau relies on either a galvanizing theme…
In its early ’90s milieu, its parade of ghastly coifs and mustaches, and its earnest attempts to mine modern investigative journalism for gleeful belly laughs,…
Paranormal Activity reputedly had its genesis in director Oren Peli’s lifelong fear of ghosts, which led him to do intensive research into haunting, demonic possession,…
Few genres lend themselves as well to a specific holiday as horror does to Halloween. Not every film of the genre directly connects with the holiday (though…
A postmodern mash-up of horror movie fun, The House of the Devil is a fascinating, sometimes frustrating homage to ’70s horror films, set firmly in…