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Alice Rohrwacher’s cinema occupies a unique place in the festival landscape, part pleasingly familiar and part bracingly daring, especially in the context of her relatively meteoric rise. After her debut Corpo Celeste played in the Director’s Fortnight sidebar at Cannes 2011, her sophomore The Wonders won the Grand…

After a shamelessly nepotistic career reboot last year with Snipers, a high-profile blockbuster directed with (and seemingly largely by) her father Zhang Yimou, Zhang Mo has returned to strike while the iron is hot with her first solo directorial feature since 2016’s by-the-numbers romantic comedy Suddenly Seventeen. Her…

As we enter the last release wave of true Covid films — those titles both produced during and concerned with the real-world crisis — first-time director Ma Xue introduces a new sort of pandemic film in her debut White River’s meandering sexual release valve. Situated on the other…

When High and Low was released in 1963, Akira Kurosawa had been working his way through some of the world’s great literary works for quite some time: the ’50s saw him adapt the words of Ryunosuke Akutagawa (Rashomon), Fyodor Dostoevsky (The Idiot), and William Shakespeare (Throne of Blood)…

The camera’s all-encompassing eye, famously termed the “kino-eye” by Russian filmmaker and theorist Dziga Vertov, has always been capable of revealing the mysterious and hidden. Fiction and non-fiction filmmakers have used this (super)power to highlight not only the minutiae of human life, but also to explore its unassuming…

As a television actor whose first directorial effort, a spiky genre mash-up that nebulously spoke to the zeitgeist, won an Academy Award for their screenwriting, and instantly established them as an “above the title” brand, what’s a young filmmaker to do for a follow-up? If you’re Jordan Peele,…

When critic Darren Hughes and filmmaker Paul Harrill founded The Public Cinema in 2015, their goal was to bring important works of world cinema and experimental film to Knoxville, TN. Over the next seven years, they worked with the Big Ears Festival and local theaters to organize over…

Finnish director Aki Kaurismäki’s latest film Fallen Leaves is a continuation of his Proletariat series. The previous films — Shadows in Paradise (1986), Ariel (1988), and The Match Factory Girl (1990) — are known for their minimalism, their offbeat, almost farcical dry humor, and the characters’ Beckettian displays…

The age-old question of how to know if your romantic partner is “the one” is a confrontation that every couple has encountered at some point. Its very unknowability has led to endless consternation, uncertainty, and settling out of convenience. Christos Nikou’s Fingernails posits a world where technology can…

Meg Ryan is arguably nothing less than one of the all-time great romantic leading ladies, having earned the accolades with a trio of the defining rom-coms of the ‘80s and ‘90s: When Harry Met Sally…, Sleepless in Seattle, and You’ve Got Mail. She also helped a dozen more…

Sofia Coppola has been chronicling the private spaces and inner lives of young women for her entire career and her new film Priscilla — an adaptation of Priscilla Presley’s memoir, Elvis and Me — feels like the culmination of a twenty-plus-year project that simultaneously reveals the limitations to…