For better or for worse, everybody desires for a second go at their greatest failures. Life is cruel and fleeting, and there is perhaps…
There’s a contradiction at the heart of James Cameron’s work, and the reason he’s such a quintessential Hollywood figure is because of, not despite,…
Last year marked the 25th anniversary of the Notorious B.I.G.’s second studio album, Life After Death (1997) — the sequel to the Brooklyn rapper’s 1994 debut,…
Writing for the New York Times in 1997, film critic Janet Maslin called Harmony Korine’s directorial debutGummo the “worst film of the year” — no…
In the 25 years since Robert Zemeckis released Contact, the search for extraterrestrials has moved from fringe conspiracy theory to a matter of national…
On February 22 of 2021, a major musical rupture occurred: Daft Punk, the mythic French house duo, through an “Epilogue” video casually posted to…
Episode Description: This week, we take on 1997’s extremely bizarre true-life tale Buddy, directed by Caroline Thompson. Rene Russo plays an animal-loving socialite who…
When Olivier Assayas’s Irma Vep came out in 1996, the brash, freewheeling experimentalism of the French New Wave was already long in the rearview.…
Released in 1997, Tsai Ming-liang’s The River extended what would become a de facto family trilogy in which the same actors reprise identical roles…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into…
Kent Jones once wrote that Luc and Jean-Pierre Dardenne’s 1999 film Rosetta had “a fearsome unity, an unshakable commitment to rendering the contours of…
I Am Keiko is a film caught within the dimensions of its maker’s head, composed of and consumed by the limits of that brain’s…
#11: Michael Winner: Feminist!? Download episode here. Episode Description: This month, we selected a handful of cuts from hack director Michael Winner’s body of work. Don’t…