All the Old Knives is a DOA old-school espionage thriller that only succeeds in proving how wasted Chris Pine is. Sporting quite possibly one of…
Geographies of Solitude Sable Island, the crescent-shaped sandbar located in the North Atlantic Ocean, is the site of Jacquelyn Mills’ debut feature film Geographies of Solitude.…
The Girl and the Spider is a bit of a symphony of sights and sounds that occasionally plays like too much of a recapitulation of…
Midnight is a solid piece of horror escapism, but suffers from a tendency toward familiar narrative and psychological shortcuts. Kwon Oh-seung’s debut feature Midnight is…
A-ha: the Movie is a pure trifle, not always substantial but capable of casting viewers back into a distinctly ’80s mood. Before childhood friends…
Until the Wheels Fall Off works well as a survey documentary, not necessarily penetrating but reveling in the small mysteries that careers like Hawk’s are…
Come Here Over the past twelve years, Anocha Suwichakornpong has developed one of the more elusive and protean bodies of work on the festival…
Squirrels to the Nuts may not rise to the level of salvaged masterpiece, but it breezily reasserts the legacy and artistry of Peter Bogdanovich. The…
Gagarine is a small film, but one impressive in the balance of wonder and stark melancholy it conjures. Against the harsh realities of time…
The Bubble is a self-indulgent, unfunny mess of a film that continues Apatow’s sharp artistic decline. Few modern comedies have been as self-indulgent, unfunny, strangely…
Barbarians is blunt-force cinema at its worst, beating viewers over the head with its shallow, pseudo-provocative gabble. Barbarians is a home-invasion thriller that desperately wants…
Moonshot never takes off, any potential low-key rom-com pleasures undercut by a flattened sense of conflict and by-the-numbers plotting. Once a reliable Hollywood staple, the…
Night’s End is a Frankensteined mess of horror movie modes that never achieves any formal or thematic cogency. Jennifer Reeder has always gravitated toward highly…
Everything Everywhere All at Once, true to its title, can be a little chaotic and unruly, but it’s still a hilarious and impeccably crafted bit…
Adele Exarchopoulos makes this French import worth at least a couple fucks. The mid-midlife crisis genre has always been a bit of a mixed…
Nitram is the worst sort of armchair investigation — one that reopens wounds it doesn’t bother to heal. The True History of the Kelly Gang…
Apollo 10 ½ is another wonderful work of melancholic yesteryear from cinema’s foremost purveyor of childhood nostalgia. Apollo 10 ½: A Space Age Childhood finds…
Bull offers genre fans 80 minutes of satisfyingly amoral brutality, but its swing-for-the-fences finale misses the mark. There’s no shortage of revenge pictures out there;…