The Christophers Against the notion of cinematic auteurism, it has sometimes been thought enough to respond that, after all, cinema is a collaborative medium to…
Polish director Agnieszka Holland’s last film, 2023’s Green Border, was a fact-based drama about migrants who were lured to Belarus by false promises of asylum,…
When Russia invaded Ukraine in the winter of 2022, it was widely observed how accepting bordering nations were of millions of displaced Ukrainians fleeing the…
Some of the most elegant and graceful tracking shots ever seen open Agnieszka Holland’s Spoor. They may be drone or helicopter-assisted; the camera, gravity-defying, soars over…
In our second dispatch from this year’s New York Film Festival (the first is here), we take a look at the veteran Polish filmmaker Agnieszka…