Why is it that in the nation of Spain, a nation whose siestas evince a clear cultural supremacy over their efficiency-imprisoned neighbors, regularly invites…
Despite boasting a filmography mostly known for its unorthodox approximations to period detail and the formal subversions that come with it, the defining characteristic…
Pacifiction A favorite at Cannes for several years now, self-styled arthouse rockstar Albert Serra has had a dependable home th festival since his (narrative)…
A favorite at Cannes for several years now, self-styled arthouse rockstar Albert Serra has had a dependable home at the festival since his (narrative)…
From our Honorable Mentions post: It goes without saying that 2020 was a year like none other in recent history. Significantly, by virtue of living…
Liberté is gorgeous and confounding, a Brechtian presentation of passion, tedium and perversion. Albert Serra’s Liberté continues the director’s penchant for placing human rot, literal and…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service…
Our seventh and final dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, our third, our fourth, our fifth, our…
Originally conceived of as a gallery performance, Albert Serra’s Roi Soleil is more than a filmed theatre piece or a mere record of a performance…
For our final dispatch from the 2018 New York Film Festival, we take a look at each of the features from the fest’s avant garde-themed…
2017—so far at least—hasn’t been spectacular. In between the deaths of beloved auteurs like Jonathan Demme and Seijun Suzuki, you had 25 beating Lemonade…
“Everything disgusts me,” exclaims dying King Louis XIV (Jean-Pierre Léaud). The most disgusting thing present? The repulsive nature of aristocracy, laid out in full…
The 41st Toronto International Film Festival recently wrapped, and our writers were on hand to soak up the cinema bounty. Our first of two…