If Krabi 2562 fails to convince by its end, its argument is at least worth engaging with. Following a short film collaboration for the 2018…
Over the past twelve years, Anocha Suwichakornpong has developed one of the more elusive and protean bodies of work on the festival circuit. Seven…
Introduction It’s somewhat reductive to observe that Hong Sang-soo, so often noted for his diptych structures, seems to have moved into a new triptych…
Our seventh and final dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, our third, our fourth, our fifth, our…
Starting out as a bit of meta-commentary on a notorious massacre, Anocha Suwichakornpong’s By the Time It Gets Dark quickly and deliberately questions its own point…