Did you know that because 1985’s Red Sonja, which starred Brigitte Nielsen and Arnold Schwarzenegger, was not actively based on Conan creator Robert Howard’s character…
“Trauma horror,” or “grief horror,” has become so ubiquitous that the subgenre has infiltrated even the most quotidian commercial horror films; it seems that the…
Sometimes it’s better to be lucky than good. When Tony Tost’s Americana, a flyover country-set crime drama built around an interconnected ensemble, premiered at the…
Perhaps as a means of drawing in a greater number of genre fans, the full title of Jimmy and Stiggs is being reported on some…
Director Benjamin Caron and actor Vanessa Kirby have previously worked together to great effect: Caron directed the episode of The Crown which netted Kirby an…
If you spend any time online, you’ve likely heard Quentin Tarantino wax poetic about making his tenth and, so he says, final film, a quixotic…
The film critic’s impulse to champion auteurist extravagance over solid but not showily executed directorial and writerly competency is an understandable one; we live in…
2021’s Nobody, which starred Bob Odenkirk as a suburban family man who is actually, basically, John Wick, was a breakout hit during the Covid days.…
Nisha Ganatra’s film Freakier Friday is the perfect case study in Disney’s endlessly stretchable IP. The idea for it all started with Mary Roger’s 1972…
“Welcome to the new West,” in which teenage rodeo riders with undercuts listen to cloud rap and horses are sold on TikTok. In East of…
Given the muted critical response and prolonged time period between its festival premiere and eventual (limited) distribution, the new Olivier Assayas film has apparently been…
While at 5’5” both he and Woody Allen are the same height, Roman Polanski stands tallest on the Mount Rushmore of reviled living filmmakers. As…
Genndy Tartakovsky has earned the one for him. As creator of some of the most seminal animated television of the late ‘90s and early 2000s,…
In the intro to My Undesirable Friends: Part 1 – Last Air in Moscow, director Julia Loktev states that none of the subjects or herself…
On the basis of his two solo outings as a writer-director, the filmmaker Zach Cregger has established a bit of a lane to himself in…
Almost as if it were made in response to John Krasinski’s IF, a saccharine fantasy about a motherless young girl who through magical contortions was able…
There’s a certain futility to any critical appraisal of a film like Jim Hosking’s third feature, Ebony & Ivory. That’s not to say there’s a…
In “The Evolution of the Language of Cinema,” André Bazin famously argued that depth-of-field marked a dialectical leap forward in the development of the artform.…
Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider, may have felt a tension building…
The story of Souleymane (Abou Sangare), a Guinean immigrant fighting for the right to work legally in France, has lately been told millions of times,…
Athina Rachel Tsangari’s newest film, Harvest, begins on the precipice of change. Based on Jim Crace’s novel of the same name, Tsangari’s adaptation is set…