Eddington When the world turned to shit approximately five years ago, satire marched ahead, determined to outpace the banality of lived reality. Old-school broadcasts and…
Actor-turned-filmmakers seem to be the highlight of the 2025 edition of Cannes, but Official Competition newcomer Hafsia Herzi — already with two feature films under…
There are two kinds of cinephile: those who hear a movie described as “Black Swan on ice” and sneer, noses upturned, their one-line, one-and-a-half star…
In the wake of the Russian full-scale invasion on February 24, 2022, a Kyiv-based auditorium turns into an ad hoc military classroom. Civilians take turns…
One day, noticing an influx of dust into their apartment due to some construction outside, a person known only as an “academic ladyboy” (as they…
Julia Kowalski’s Her Will Be Done begins with a cryptic series of images; pitch-black night, a pile of discarded clothing, closeups of various faces, impassive…
Sound of Falling Melancholy, that inexplicable feeling of pensiveness, constitutes the centerpiece of memory, at least when memory divulges itself to its owner and defers…
Ever since his debut fiction film My Joy (2010) premiered in the main competition of Cannes, Sergei Loznitsa has been a repeat visitor to the…
A white person adrift in an “exotic” land, losing themselves in order to find themselves in the perceived primitiveness, peculiarity, or freedom of their strange…
The titular girl of The Girl in the Snow, director Louise Hémon’s debut feature, appears repeatedly as a dark silhouette. Clad in a black cloak…
Biblical scholars and theologians use “antediluvian” to describe the world of Genesis between the fall from Eden and the flood. Literally meaning “before the flood,”…