There’s a moment smack in the middle of Beginning, Georgian director Dea Kulumbegashvili’s formally astute but callously cruel debut feature film about the combined…
It’s been a particularly horny year for films. Perhaps not unnaturally; having been cooped up indoors while the viral blizzard howls outside, stoked by…
Beginning emerges from the influence of obvious formal antecedents to become a stirring, singular work from a new cinematic worth following. On its surface, Dea…