The two sequences that form the beginning of Dea Kulumbegashvili’s April set a mood of violent unease. We follow a faceless creature, vaguely humanoid…
Scénarios The last image of Jean-Luc Godard’s last film Scénarios is one of the most heartbreaking in his long, storied, notorious, glorious, defining, essential…
It’s been a particularly horny year for films. Perhaps not unnaturally; having been cooped up indoors while the viral blizzard howls outside, stoked by…
Beginning emerges from the influence of obvious formal antecedents to become a stirring, singular work from a new cinematic worth following. On its surface, Dea…